A Quote by P. J. Soles

I am so happy that every generation still tunes into most of the classic and cult films I was lucky to be a part of. — © P. J. Soles
I am so happy that every generation still tunes into most of the classic and cult films I was lucky to be a part of.
To be involved with movies that become kind of cult classics... I've been very fortunate. 'The Warriors' is certainly a cult classic, and 'Xanadu' is, to a certain degree, a cult classic as well.
I do very few standards. Hardly any. Other people's tunes that I do are usually obscure tunes, for the most part, although I do a couple of Duke Ellington tunes that are well known.
I am not only lucky to be an actor, but I am lucky to be one of the most privileged actors in the world because I can do all kinds of films and genres and everything.
Every family had its own peculiar cult, to which no stranger was ever admitted, and which alone could appease and satisfy the gods of that family. The cult was handed down from father to son, from generation to generation, and could not be lost without condemning the whole series of ancestors to eternal misery.
My life doesn't change. I still have to go out and work hard every day, and do the best that I can do. I'm a third generation Californian, and there's a lot of talented, good-looking guys in California, so I'm just happy to be working, and lucky to be working.
I am very lucky, because for the most part people are very nice to me, and I am still able to go about my life and ride the subway and all that.
Cult films last forever. I have been in plenty of films that no one will remember, so it is nice to be in some movies that some people do, and that they pass it along to the next generation I'm meeting kids named Ash now.
I've never tried to be anything but me. Even with Slipknot, where it can almost feel like a roll sometimes, it's still a part of who I am. It's a very strong and passionate part of who I am, and I'm lucky enough to have an audience that is really open to what I do.
I've heard people ask, What's so sacred about a classic books that you can't change it for the modern child? Nothing is sacred about a classic. What makes a classic is the life that has accrued to it from generation after generation of children. Children give life to these books. Some books which you could hardly bear to read are, for children, classic.
I used to make all my clothes when I was in Southern Death Cult [the first incarnation of The Cult]. I still make things to wear on stage and I am involved with sketching, choosing fabric, cutting.
I have been lucky that good people have chosen me to be a part of their films, and I am really grateful.
There is the cult of the actor and of the director, and there's even been the cult of the celebrity chef and gardener, but there has never been a cult of the screenwriter. But I'm happy about that because what I crave - in a completely venal way - is creative opportunities, not recognition.
I am lucky to be part of a 'Kyunki.' Not every actor gets a chance to be part of a successful television show.
I feel like sometimes, when I talk about 'Transparent,' I'm in a cult. And in some ways, I guess I sort of am, although it's a cult that pays me, and I don't pay it, so maybe that's a really good cult.
My little girls are the most beautiful women in the world. I am a lucky, lucky man. I will spend every day making sure that they know this.
Yeah I do and I don't mind, in fact that is one of the real encouraging things about this whole career of mine is that there are tunes I wrote almost thirty years ago that I will still play in front of an audience and I still like the old tunes.
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