A Quote by P. J. Tucker

I've always felt like I was a guy that understood my role. I thrive because I love it. — © P. J. Tucker
I've always felt like I was a guy that understood my role. I thrive because I love it.
Sometimes I think I shouldn't explain much about my work because people will just feel what they feel when they see it. They'll love it or hate it or enjoy it on their own, like how I've looked at abstract paintings of other artists and cried or felt happy because I've felt, "Wow, I've lived that, I've understood that."
When I came to Los Angeles, it was the first time that I ever felt like I belong somewhere. Not because it was wacky, but because people here understood what I felt like to perform, and there were other kids my age who wanted to do it. I didn't get looked at as God, you freak.
I always felt so much more comfortable in the Western. The minute I got a horse and a hat and a pair of boots on, I felt easier. I didn't feel like I was an actor anymore. I felt like I was the guy out there doing it.
I was drawn to journalism as a young guy because I felt like there was some purpose to it, not always but sometimes.
Derek Jeter always felt like New York: the good-looking single guy for all those years. He felt like a Yankee.
I can't tell you how much I love Target and Costco, that kind of culture, because it's something I never felt a part of. I've always felt like a tourist because I have never fit in anywhere.
I think that it gave me a really strong feeling of my life force and a confidence in myself. I felt like I was a man. Before that point for some reason, I always felt I was a boy (laughter). In fact, they called me the baby on the ship 'cause I was the youngest guy on the ship. But I always felt that way.
I have always felt the word 'advertising' is either a diminutive or derogatory term that kind of goes with stuff people don't like, and I always felt frustrated because I felt like I was a communication artist or a media artist. The best advertising is one of the art forms of our culture.
Ninety-nine percent of the time, when it comes down to it, if I have the choice between a great role and seeing a new guy, I would probably go for the great role because I figure if the guy's really that great that he'll be around once I'm done with the movie.
I felt like I always knew my role.
I've never really felt like a veteran. I've never felt like the guy who's like, 'OK, everyone needs to look up to me and respect me.' I've always just been one of the guys that people are excited to get in the ring with. That's all I want.
I've never felt that I had to take a role in one of those mediocre but hugely budgeted romantic comedies because I want to wear beautiful dresses and have people think I'm pretty and that I get the guy.
If only you understood the way I felt... it wouldn't help much because I don't really like you as a person.
I have always felt an excellent rapport ever since my very first concert in Britain at Hampton Court. I have always felt understood. The British understand opera very well.
I always wanted to do an emotional role but was rejected a couple of times because the directors felt that I have always done negative roles and so I wouldn't fit the bill. That was dejecting.
You speak to be understood, right? And you're understood so you can be felt. And you're felt so you can get what you want.
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