A Quote by P. J. Tucker
You come from the college, you're the man. I was second-team All-American. I got drafted by Toronto, but they just took me because I was the best man on the board. They didn't need me. I didn't get a whole lot of help or guidance. I wasn't playing. I couldn't get reps in practice. And it's big-boy basketball. Grown men.
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Don't get me wrong - it's amazing playing basketball. But being 19 years old, playing and interacting with grown men with families wasn't fun all the time, especially during a grueling 82-game season. That, mixed with Toronto's freezing winter climate, made me miss my buddies back at Tech even more.
I wasn't drafted. I was just playing really good basketball, enjoying playing basketball with my national team and never really thought: 'I have to get to the NBA.'
You're out there on an island. It's just you and the best receiver, man-to-man, in one-on-one coverage a lot of the time. And you don't really get any help. If you get beat, everyone can see. If you get scored on, everyone knows. That's the difficulty of playing corner.
I feel like whatever team drafts me I'd fit into because they're going to get the best receiver in the draft. Regardless of if they really need a receiver early or not, the way I'm going to come in and work, they're going to get the guy they hoped they drafted and be excited about it.
Perk, from the minute you got here... I hated you before you got here... But the moment you got here, man, you just changed my whole perception of you. Just one of the best teammates I ever had. I just thank you so much. The late night calls after tough games, you texting me, telling me I'm the MVP. That means a lot to me, man. Thank you.
There's always going to be a lot of distractions in the NFL - that's just how it is; it's on the biggest stage - but really focusing on what I have to do now to help my team win, help me be at my best physically when I'm out there on the field and mentally, because that will ultimately help my team no matter what role I'm playing.
In my case, I played sports my whole life. I got out of college, and I didn't bother to get health care coverage because I just figured I didn't need it. But you know that if you blow out your knee on a basketball court or you get in a car accident, and you're uninsured, it can bankrupt you.
We go out to practice every single day and we have fun out there, but at the same time, we're getting work done. We're going hard. If it's reps for the scout team, we're giving them good reps. If we're getting reps for the first team as a tight end group as a whole, we try and go out there and put our best out there as a group effort.
I think college prepared me at a really high level. High school, you can take some plays off on the defensive end. Not on purpose, but if your man gets tired, you can rest a little bit. But once you get to college, and especially in the NBA, you can't do that. Even if my man gives the ball up, I'm on help side, helping my team out.
I was 18, at art school, and saw this cute boy playing banjo. I was obsessed. I taught myself how to play. I listened to a lot of country and just messed around. The second song I wrote on the banjo was 'Good to Be a Man.' That what's got me signed.
Please don't misunderstand, I actually enjoyed the hecticness and the opportunity to cover women's college basketball. But the reality is as a young broadcaster the vast majority of my games came in men's college basketball and my viewership as a fan came in men's college basketball because that was what was available to me.
I felt like for what I needed, Bad Boy got me... they got me covered. Especially Puff, man. He's going to be the first billionaire rap entertainer. At the end of the day, they need me. Other artists-labels don't need me, but Bad Boy and Puff needs me. And I need them. It goes both ways.
I wanted to be a jazz pianist, but I wasn't good enough. I got into city college because I didn't have the grades to get into university. I took acting because it was a way to get three credits. I just needed three credits and my friend told me to take acting because it was like gym - nobody fails you. I took it and that's literally how I got involved in acting.
I get advice from all the producers who have come out of Memphis. They just give me advice on the business side, because that's most important besides the actual music. Just staying at a point I know I can't mess myself up. I just got to be put up on game about it. Drumma Boy and Memphis Track Boy taught me a lot.
People see everything through a filter of them, of their own selves. And it's like, you can't be depressed because somehow that has something to do with me. And it's like - no, it doesn't. This is my brain. This is my body. These are my emotions. It's got nothing to do with you. You don't want me to get help for whatever reason you don't want me to get help. But I'm out here, and I need to get help.
The Prescott fight made me change from a boy to a man: it took me out of my comfort zone because when you lose a fight, you look at the mistakes and everything. That is what happened. I've changed from a boy to a man.
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