A Quote by P. L. Travers
The Irish, as a race, have the oral tradition in their blood. A direct question to them is an anathema, but in other cases, a mere syllable of a hero's name will elicit whole chapters of stories.
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Rap comes from the oral tradition. The oral tradition gives voice to those who would've otherwise been voiceless.
It's the culture, not the blood. If you can go anywhere in the world and adopt these babies and put them into households that were already assimilated in America, those babies will grow up as American as any other baby with as much patriotism and love of country as any other baby. It's not about race. It's never been about race. In fact the struggles across this planet, we describe them as race, they're not race. They're culture based. It's a clash of culture, not the race. Sometimes that race is used as an identifier.
The issue is not whether there are horrible cases where the penalty seems "right". The real question is whether we will ever design a capital system that reaches only the "right" cases, without dragging in the wrong cases, cases of innocence or cases where death is not proportionate punishment. Slowly, even reluctantly, I have realized the answer to that question is no- we will never get it right.
So is the English Parliament provincial. Mere country bumpkins, they betray themselves, when any more important question arises for them to settle, the Irish question, for instance,--the English question why did I not say? Their natures are subdued to what they work in. Their "good breeding" respects only secondary objects.
I am not against songs in films. We come from an oral tradition of storytelling. I have grown up listening to epics in oral rendition and oral rendition always had music.
John Lilly suggests whales are a culture maintained by oral traditions. Stories. The experience of an individual whale is valuable to the survival of its community. I think of my family stories-Mother's in particular-how much I need them now, how much I will need them later. It has been said when an individual dies, whole worlds die with them. The same could be said of each passing whale.
There can't be a pure myth, especially when the myth has been handed down in the oral tradition. As the stories are told, they change. If the stories don't change they just die.
I sometimes wish I had a good 'one syllable, one syllable' name, like Brad Pitt.
My very first lessons in the art of telling stories took place in the kitchen . . . my mother and three or four of her friends. . . told stories. . .with effortless art and technique. They were natural-born storytellers in the oral tradition.
I have a very simple question to people who seem to suffer from excessive narcissism: please name three other persons who are smarter and more capable than you, in the field you work in. (In most cases they are utterly unable to answer that question honestly.)
I don't travel and tell stories, because that's not the way these days. But I write my books to be read aloud, and I think of myself in that oral tradition.
The land itself, of course, was careless of its name. It still is. You can call it what you like, fight all the wars you want in its name. Change its name altogether if you like. The land is still unblinking under the African sky. It will absorb white man's blood and the blood of African men, it will absorb blood from slaughtered cattle and the blood from a woman's birthing with equal thirst. It doesn't care.
I grew up in a society with a very ancient and strong oral storytelling tradition. I was told stories, as a child, by my grandmother, and my father as well.
I have often had occasion to notice how, where a direct question would fail to elicit a response, a false assumption brings instant information in the form of a contradiction.
We live in a society that is in transition from oral to written. There are oral stories that are still there, not exactly in their full magnificence, but still strong in their differentness from written stories. Each mode has its ways and methods and rules. They can reinforce each other; this is the advantage my generation has - we can bring to the written story something of that energy of the story told by word of mouth.
I grew up in Sierra Leone, in a small village where as a boy my imagination was sparked by the oral tradition of storytelling. At a very young age I learned the importance of telling stories - I saw that stories are the most potent way of seeing anything we encounter in our lives, and how we can deal with living.
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