A Quote by P. N. Elrod

Real people - the interesting ones, anyway - don't remain static, and neither do the ones I write about. Changes take place, and they react to them. — © P. N. Elrod
Real people - the interesting ones, anyway - don't remain static, and neither do the ones I write about. Changes take place, and they react to them.
Since changes are going on anyway, the great thing is to learn enough about them so that we will be able to lay hold of them and turn them in the direction of our desires. Conditions and events are neither to be fled from nor passively acquiesced in; they are to be utilized and directed.
I come from a working-class family. They're the people I know and the people I love, I guess. I do not write about them for political reasons, but because, as I see it, most interesting things - social, political, emotional - take place there. It's a bottomless well for an author like me.
If you write interesting roles, you get interesting people to play them. If you write roles that are full of nuance and contradiction and have interesting dialog, actors are drawn to that.
It's pretty exciting to take real people living in the real world, their opinions, and have people have to react to that. As opposed to their perceptions of what people are thinking, which are often very different.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
I thought to myself, 'why not write a bestseller?' In the first place, more people buy them and more people read them. You make more money and it doesn’t take any more time to write a bestseller than it does to write a book nobody buys.
"Anyway... I find what you write interesting." "That's what people usually say when they disagree with it."
What's interesting about books that take place in the future, even twenty years in the future, is that many of them are black or white: It's either a utopia or it's misery. The real truth is that there's going to be both things in any future, just like there is now.
I've done quite a few things based on real events or real people, and I think that's always really interesting that you can read about them or, if you're lucky, you can meet them.
Some people say, 'Well you're a man; how do you write about women or girls when you don't know about them?' Well, I've got my imagination, and I can write about women. Yes, I'll never be pregnant and give birth to children, but I can imagine a bit of what it's like. When you create characters, it's just about making them really real to people.
We'll have a different set of values, and society will adapt. That doesn't mean these changes are all good, just because we will accept them. But the 'Chicken Little' view of history isn't correct. Changes take place gradually, and people and institutions adapt.
All I can guess is that when I write, I forget that it's not real. I'm living the story, and I think people can read that sincerity about the characters. They are real to me while I'm writing them, and I think that makes them real to the readers as well.
I want to write about serious things, but I want to write about them in a way that makes them accessible to a large number of people - to take them through the argument by dramatizing the circumstances in which these issues are being discussed.
I try to write about real women, real people - in other words flawed characters. I find flawed characters much more interesting than perfect ones and enjoy the challenge of making readers root for them in spite of their unsympathetic path and destructive choices. Life is about the gray areas. Things are seldom black and white, even when we wish they were and think they should be, and I like exploring this nuanced terrain.
Nobody wants to read about the honest lawyer down the street who does real estate loans and wills. If you want to sell books, you have to write about the interesting lawyers - the guys who steal all the money and take off. That's the fun stuff.
In order for me to write, I have to experience life. I write the songs based on real life, and I perform them from a very real place.
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