A Quote by P. T. Barnum

Many persons are always kept poor, because they are too visionary. Every project looks to them like certain successes, and therefore they keep changing from one business to another, always in hot water, always ‘under the harrow’.
To be nonviolent to human beings and to be a killer or enemy of the poor animals is Satan's philosophy. In this age there is always enmity against poor animals, and therefore the poor creatures are always anxious. The reaction of the poor animals is being forced on human society, and therefore there is always strain of cold or hot war between men, individually, collectively or nationally.
I always kept the fans happy. They always saw a different Rey, whether it was a mask, a design, a color. I never gave them the same thing twice and always kept them on their feet. They were always excited to see what Rey was going to bring to the table.
Horror is like a serpent; always shedding its skin, always changing. And it will always come back. It can't be hidden away like the guilty secrets we try to keep in our subconscious.
The water's always changing, always flowing. But people, I guess, can't live like that
I'm one of the most optimistic persons in the world. I always believed that - there's another shot, another chance. In boxing, I never gave up. I kept trying, kept trying. Even when things seemed so dim, I continued to push forward to make something happen in my favor.
I have had many successes and many failures in my life. My successes have always been for different reasons, but my failures have always been for the same reason: I said yes when I meant no.
People are always asking me if the industry is changing, and my answer is always that it is changing only as much as we are. Many South Asian actors complain about being pigeonholed into playing terrorists and cab drivers, but it's time that we stop talking about it. The industry will always say 'No' till we have enough to convince them.
The key is that you never check the championship. You always carry it on. So when you're going through TSA, it's always a treat because, for some reason, they always like to pull it out and hold it way above their head and throw it over their shoulder and put it across their waist, see what it looks like on them.
I always look forward to the next project. That is one of the wonderful things about architecture - you always can hope for another project to design.
We're always thinking of different things to be on the cutting edge of what's entertaining or what's hot on Twitter or social media or even society in general. I've had little goals here and there. But that's the main goal. Always changing, always be prepared to adapt.
My mom is big on moisturizer and water. She always reminds me to drink a lot of water and wear sunglasses because I always forget them when I go out, even though they are one of my favorite accessories. She always reminds me about wrinkles, and always did, so it's kind of been ingrained into me.
Throughout my business life I have always tried to keep on top of costs and protect the downside risk as much possible. The Virgin Group has survived only because we have always kept tight control of our cash. But, likewise, I also know that sometimes it is essential to break these rules and spend lavishly.
You always have to appeal to your audience. You always have to consider how well your project will do in terms of admissions. I abandoned many stories because of that. But I don't get too down about it. It's something I accepted from the time I decided to work in films. I could always do something else if I got sick of it, like draw manga, or make my own films. I found it pointless sitting in my house not working, though I'd like to go on extended vacations from time to time.
You always have to appeal to your audience. You always have to consider how well your project will do in terms of admissions. I abandoned many stories because of that. But I don't get too down about it. It's something I accepted from the time I decided to work in films.
I always keep my options open. I always say, "Make me an offer and send me the script, and if it's something that I can connect to or relate to..." The character has to intrigue me, and the project overall has to intrigue me. And if it all lines up properly, then we can get into the business side of it. But it's always about the creative first.
Here's how I work: It's 2013, and most marketers are operating like it's 2009. I'm always trying to market like it's 2015, but not like it's 2020. A lot of my contemporaries who understand where the world is going, go too far out, and aren't practical. I have always prided myself on being visionary, with a heavy practicality.
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