A Quote by Pablo Casals
Bach is the supreme genius of music... This man, who knows everything and feels everything, cannot write one note, however unimportant it may appear, which is anything but transcendent. He has reached the heart of every noble thought, and has done it in the most perfect way.
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If they think they are doing something new, they ought to do what I do every day - spend at least two hours every day listening to Johann Sebastian Bach and, man, it's all there. If they want to improvise around a theme,which is the essence of jazz, they should learn from the master. He never wastes a note, and he knows where every note is going and when to bring it back. Some of these cats go way out and forget where they began or what they started to do. Bach will clear it up for them.
Every one who has a heart, however ignorant of architecture he may be, feels the transcendent beauty and poetry of the mediaeval churches.
Universality is the distinguishing mark of genius. There is no such thing as a special genius, a genius for mathematics, or for music, or even for chess, but only a universal genius. The genius is a man who knows everything without having learned it.
Genius is answerable only to itself; it is the sole judge of the means, since it alone knows the end; thus genius must consider itself as above the law, for it is the task of genius to remake the law; moreover the man who frees himself from his time and place may take everything, hazard everything, for everything is his by right.
The music of Bach is so timeless, so fulfilling. You don't feel like you have to be in front of it. The music has everything, and you are there to find the balance when you conduct. You don't have to give too much of your individuality. It's Bach, so it's dangerous to get in the way.
The music of the supreme architect, Bach, is filled with pages of discursive argument and rumination, glorifying the nameless whole by a rich embroidery of passages which lead everywhere and nowhere. The ideas are presented, stood on their head, dissolved into fragments, until the ultimate message becomes the connections of all things great and small, a chain of being which cannot be secured until the last note is in place.
Only the heart knows the correct answer. Most people think the heart is mushy and sentimental. But it's not. The heart is intuitive; it's holistic, it's contextual, it's relational. It doesn't have a win-lose orientation. It taps into the cosmic computer - the field of pure potentiality, pure knowledge, and infinite organizing power - and takes everything into account. At times it may not even seem rational, but the heart has a computing ability that is far more accurate and far more precise than anything within the limits of rational thought.
The Man of Genius may at the same time be, indeed is commonly, an Artist, but the two are not to be confounded. The Man of Genius,referred to mankind, is an originator, an inspired or demonic man, who produces a perfect work in obedience to laws yet unexplored. The artist is he who detects and applies the law from observation of the works of Genius, whether of man or nature. The Artisan is he who merely applies the rules which others have detected. There has been no man of pure Genius, as there has been none wholly destitute of Genius.
He taught me everything I know. Every note I write I learned from that man upstairs. People rave over my arranging today, and I just think to myself, God bless Tommy Dorsey. If it hadn't been for him, I never could have done it.
I try to write something that has a common ground to everyone. But there's been nothing new in music since Bach; he put every note in the world on a piece of paper.
There is something at the bottom of every new human thought, every thought of genius, or even every earnest thought that springs up in any brain, which can never be communicated to others, even if one were to write volumes about it and were explaining one's idea for thirty-five years; there's something left which cannot be induced to emerge from your brain, and remains with you forever; and with it you will die, without communicating to anyone perhaps the most important of your ideas.
Movies have these transcendent moments where everything is just right, from the dialogue to the music to the lighting to the narrative context; everything is just perfect, and something magical happens - the film breaks through the screen and does something to you.
Man is naturally self-centered and he is inclined to regard expediency as the supreme standard for what is right and wrong. However, we must not convert an inclination into an axiom that just as man's perceptions cannot operate outside time and space, so his motivations cannot operate outside expediency; that man can never transcend his own self. The most fatal trap into which thinking may fall is the equation of existence and expediency.
If I write what I feel, it's to reduce the fever of feeling. What I confess is unimportant, because everything is unimportant.
The cynic makes fun of all earnestness; he makes fun of everything and everyone who feels that something can be done. . . . But in his heart of hearts he knows that he is a defeated man and that his cynicism is merely an expression of the fact that he has lost courage and is beaten.
The best minds come from the most unexpected faces and places. There is no image for intelligence or genius. Genius is something that cannot be seen. It cannot be produced or manufactured. It is something that even the true genius thinks is unattainable. The genius recognizes he’s just a small pea in a sea of infinite atoms. Knowledge is as infinite as the universe. The man who claims to know all, only reveals to all that he really knows nothing.
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