When we play an unaccompanied Bach suite we may compare ourselves to an actor in Shakespeare's day, creating scenery which did not exist at all, through the power of declamation and suggestion. So in Bach. There is but one voice -- and many voices have to be suggested.
If they think they are doing something new, they ought to do what I do every day - spend at least two hours every day listening to Johann Sebastian Bach and, man, it's all there. If they want to improvise around a theme,which is the essence of jazz, they should learn from the master. He never wastes a note, and he knows where every note is going and when to bring it back. Some of these cats go way out and forget where they began or what they started to do. Bach will clear it up for them.
Bach, of course, was my first love. He still is. I mean, he's the man of my life, that's for sure. And when I say that there's been a re-evaluation, look, to be perfectly honest, I think I have a re-evaluation of my relationship with Bach probably every day, and that will never stop. And that's probably why I still get up in the morning and I do this.
Just go out there and play every day. Every day is a new day. Every day is the same day. You've got to just be ready to play.
Our team goal is pretty simple ... basically prepare ourselves to play for nine innings every day, every series, and against every opponent. For me individually, it's more of just trying to play my role the best I can every day.
You play 162 days, and you play every day, or you try to play every day, and it's going to take a toll on your body. But that's what we're out here for. We're out here to play.
I was a harpsichordist in my teens, and there was a bunch of us in Liverpool who got together every week to play Bach.
We know that a man can read Goethe or Rilke in the evening, that he can play Bach and Schubert, and go to his day's work at Auschwitz in the morning.
It's important to play the pieces that you feel you can play well. It was always my dream to play Bach - my first love and fascination - Chopin, and Szymanowski.
Composers most identified with the chamber music form are Corelli, Vivaldi, Haydn, Mozart, Beethoven, Schubert and, of course, Bach. Of course, Bach. If there is any one composer who gives us reason and emotion, it is Bach.
For the past eighty years I have started each day in the same manner... I go to the piano, and I play preludes and fugues of Bach... It is a sort of benediction on the house.
There is nothing like a Bach fugue to remove me from a discordant moment... only Bach hold up fresh and strong after repeated playing. I can always return to Bach when the other records weary me.
When you play Bach like Chopin, and Chopin like Bach, something good happens.
I think my goal is to play every day because I believe that I can still play every day.
I would rather play Chiquita Banana and have my swimming pool than play Bach and starve.
I guess I've done a lot of different kinds of performing at various times - opera singing, poetry reading, not least high school teaching - and I do enjoy it, at least sometimes. But I find it incredibly anxiety-producing and exhausting. Privacy is more congenial, and I go a little crazy if I can't spend a big chunk of every day, or almost every day, alone. Certainly I have to be alone to write.