A Quote by Pablo Casals

Thank God, I'll never have to play the cello again. — © Pablo Casals
Thank God, I'll never have to play the cello again.
I started to play noise on my cello because I felt a deep personal connection to it. I mean, I still love all the beautiful sounds of the cello as much as anybody but it's only when I play certain sounds I know that the cello really presents who I am; not my emotions but who I am as a person.
I keep saying if I ever get a good amount of quiet time that I want to learn to play cello. It's a very warm instrument. The tone of the cello and the movement - I don't know what is; I love it so much.
God never made anyone else exactly like you, and he never will again. Thank him for yourself and then for all the rest of his glorious handiwork.
The Jews talk about "never again."... You cannot say "Never again" to God because when he puts you in the oven, you're in one indeed!... "Never again" don't mean a damn thing when God get ready for you!
Thank God for 9/11. Thank God that, five years ago, the wrath of God was poured out upon this evil nation. America, land of the sodomite damned. We thank thee, Lord God Almighty, for answering the prayers of those that are under the altar.
We knew we wanted to have our own tone for the show. And then the big instrument that actually we came up with was the cello. It has a big range. It can play really low. It can play high. And it has a dark sound, and 'Game Of Thrones' is obviously - it's a dark show, and the cello became the featured instrument.
Fame is a curse... it was the worst phase of my life, which I thank God I'll never have to go through again.
I was at Mount Tamalpais near San Francisco hiking when a boulder came hurling down the mountainside and smashed my left hand. When I looked at my mangled bloody fingers, I had a strange reaction. 'Thank God I will never have to play again,' I said. The fact is that dedication to one's art does involve a sort of enslavement.
I guess I'm interested in pushing the boundaries of the cello without giving up on the idea of playing the cello, if that makes any sense. I have no real interest in putting the cello through different effects to make it sound like a guitar or other instruments.
Last, I just want to thank God again. He's the first and the last. Alpha and Omega. I thank you for saving my life.
Often when I finish a film I'll have that feeling inside me: 'I never want to do this ever again. I don't want to pretend anymore. I want to be myself and do that.' And then, thank God, that feeling goes away after a month or so and I'm raring to go again.
We were never happy with the way cello was recorded, and we wanted to experiment in the studio to make the cello rock as much as possible. On the second album, we had great help from Bob Ezrin, who helped us develop our sound even more.
Cello is my first instrument, then piano, drums, bass, violin, recorder, saxophone, but I'd never play them live!
We wanted to make a powerful cello sound in order to show to the world the possibilities of the cello and to use it in a different way than the classical way they are used to. We wanted to play something exciting, something crazy, something to draw younger generations to this great instrument.
Those who survived the San Francisco earthquake said, 'Thank God, I'm still alive.' But, of course, those who died, their lives will never be the same again.
God thank you for everything you've given us. For the time we have together. And for the miracle of Christmas. Thank you for the Atonement, the chance to start all over again. Help us to always remember who we are and to trust that we are worthy to make it through our storms. Amen&gt.
This site uses cookies to ensure you get the best experience. More info...
Got it!