A Quote by Pablo Casals

How could anybody think of Bach as 'cold' when these [cello] suites seem to shine with the most glittering kind of poetry," Casals said. "As I got on with the study I discovered a new world of space and beauty... the feelings I experienced were among the purest and most intense in my artistic life!
I love Bach cello suites, I love punk music, I love old blues, negro spiritual quartets, Muddy Waters' 'You Need Love.' There is a simplicity but also a bite that connects all that music, from the growl in the cello to the timbre in Muddy's voice.
Bach is a colossus of Rhodes, beneath whom all musicians pass and will continue to pass. Mozart is the most beautiful, Rossini the most brilliant, but Bach is the most comprehensive: he has said all there is to say.
People don't understand it, but the most intense occasions in the House of Commons were the ones I enjoyed most. When events could go either way and you could find yourself out of a job by the end of the day, those were the times when you were most on a high.
My artistic manifesto exists in the world as poetry. So even though most of the things that I've done have been on other people's projects or could be pigeonholed in certain ways, that's not how I perceive myself.
Though beauty is, with the most apt similitude, I had almost said with the most literal truth, called a flower that fades and dies almost in the very moment of its maturity; yet there is, methinks, a kind of beauty which lives even to old age; a beauty that is not in the features, but, if I may be allowed the expression, shines through them. As it is not merely corporeal it is not the object of mere sense, nor is it to be discovered but by persons of true taste and refined sentiment.
There's poetry in the world. Poetry doesn't belong just to the poets. You know, you can look at the most premeditated, cold blooded movie and find poetry in it.
My feelings were hurt. Once I started I couldn't seem to let it go. Be strange if the person who matters most in the whole world couldn't hurt your feelings, wouldn't it?
Here, where we reach the sphere of mathematics, we are among processes which seem to some the most inhuman of all human activities and the most remote from poetry. Yet it is here that the artist has the fullest scope of his imagination.
I do think there's a spiritual element in the world, yes. Have I experienced a ghost firsthand, per se? No. I guess I've experienced feelings or some kind of a presence. But I certainly haven't seen any kind of transparent entity running around.
I've always felt that animals are the purest spirits in the world. They don't fake or hide their feelings, and they are the most loyal creatures on Earth. And somehow we humans think we're smarter-what a joke.
It was an axiom of "containment" that no part of the known world could be considered neutral. "Neutralism" was among the Cold Warriors' gravest curse words, applied with caustic hostility to India and even France. Those who were not with were against, subjected to intense economic and ideological and sometimes military pressure to fall into line.
Personally, I think Jim Henson said it best when he said "Anybody got an aspirin? I think I've got a cold."
I find it strange that - at least in my take on it - the people who are the most alarmed about the dire times we live in are the ones who seem to be humorless, in their taste for poetry anyway. Humor is just an ingredient. It's always been in poetry. It kind of dropped out of poetry I think during the 19th and up to the mid-twentieth century. But it's found its way back. And it's simply an ingredient.
What adults call 'wrong' in Child Art is the most beautiful and most precious. I value highly those things done by small children. They are the first and purest source of artistic creation.
Now as to magic. It is surely absurd to hold me "weak" or otherwise because I choose to persist in a study which I decided deliberately four or five years ago to make, next to my poetry, the most important pursuit of my life...If I had not made magic my constant study I could not have written a single word of my Blake book, nor would The Countess Kathleen have ever come to exist. The mystical life is the center of all that I do and all that I think and all that I write.
I think Ginsberg has done more harm to the craft that I honor and live by than anybody else by reducing it to a kind of mean that enables the most dubious practitioners to claim they are poets because they think, If the kind of thing Ginsberg does is poetry, I can do that.
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