A Quote by Pablo Mari

My footballing curve; I never thought this could happen. But over the years of work, injuries, without opportunities, I've learned that deep inside an attitude builds which says: 'The moment someone gives me the chance, there's no way I'm letting go.'
I don't really know what's going to happen 10,000 years from now. We've been biologically modern for, what, almost 200,000 years? Let's go back to the cave paintings: I think the moment that someone landed a charcoal on a wall to describe reality, that's language already - that happened on a vertical surface, which, even though they didn't build it, somehow we could understand it as architecture because there's a cavity that separates the inside and outside. That's 40,000 years in the past.
You're never going to get rid of the injuries. The injuries are going to happen as long as there's football, especially the way it's always been played. So that's something that won't go away. But I guess they're trying to do the best they can to reduce those injuries and really take guys out of harm's way as much as they can.
I have often thought the best way to define a man's character would be to seek out the particular mental or moral attitude in which, when it comes upon him, he felt himself most deeply and intensely active and alive. At such moments there is a voice inside which speaks and says: This is the real me!.
What makes me feel good is all of the people that rooted for A.I. get a chance to say, 'He did what you never thought he could do. The critics. He did what you never thought he could accomplish.' This is a moment that me and my fans and my family and friends can share together because we always believed in the dream.
When you get many opportunities early on, and you have people who have been working for a while counting on you, you have to at least pretend that you know what you're doing. So any actor that's pretending, you start to develop philosophies. Without years and years of experience, you kind of go with an attitude that you know what you're doing. And so I think right around that time, I was kind of at the peak of rigidly thinking that I knew how to work in film in a way that I wanted to. Cameron was extremely patient and generous with me.
there must be a way. surely there must be a way that we have not yet thought of. who put this brain inside of me? it cries it demands it says that there is a chance. it will not say "no.
You never think it will happen to you. You think about what it would be like. You go through it over and over in your mind, changing the scenario slightly each time, but deep down, you don't really believe it would ever happen, because it's something that happens to someone else, not to you.
A couple days before the stunts, if I'm doing something particularly dangerous, I will go over every worst-case scenario in my head, like this could happen, this could happen, this could happen, this could happen. I try to think about that to where it's ingrained in me.
It was easy to blame other people for treating me in ways I didn't like, but now I was seeing that I was the one at fault. The only way you can be mistreated is by allowing yourself to be mistreated, and that was something I did over and over again. Somehow, I needed to find that glimmer of self-respect, buried deep inside, that would allow me to say: I am never going to let that happen to me again. I needed to learn how to stand up for myself in a different way, but I didn't know how.
I always thought it was the saddest and most devastating ending. How you could have these enormous dreams that never get met. How without knowing it you could just make yourself smaller over time. I don't want that to happen to me.
I took the position of organizing 126 Democrats who voted against the Iraq war resolution. And I happen to think it was the right position. Today we're faced with over 500 casualties, a cost of over $200 billion, and it could rise the casualties could go into the thousands and the costs could go over a half trillion if we stay there for years, as a number of people on this stage intend to see happen.
God of deep waters and infinite riches, challenge me to go where I fear, to do what is difficult and what I thought could never be done. Push me to go to the deep waters of life and cast my net wide, for I put all my hope, trust and faith in you.
My agent says that I'm a "repeat business guy." If you hire me to come do a movie, I'll be on time, know all my material, be ready to go, have a good attitude. I'm here to work, so I get hired over and over again by the same producers. If you just be a team player on set you can work so much more often.
My agent says that I'm a 'repeat business guy.' If you hire me to come do a movie, I'll be on time, know all my material, be ready to go, have a good attitude. I'm here to work, so I get hired over and over again by the same producers. If you just be a team player on set you can work so much more often.
I have an idea of a set of colors and see what I have. A lot of things, the best, more magical things in the paintings just sort of happen. They aren't things I thought of in advance. They are more things I am given. What paint does, in watercolor more than oil but it happens in oil too, are things one never expects if you work freely. I suppose I learned a lot coming to this after years of playing improvisational music. I have to trust my intuition and I work in the moment, when that moment seems to be happening. And to leave it alone when it is not.
I don't feel pride when I look at a magazine spread I did for Vogue, but writing is really satisfying to me. I can go so deep into people's interior lives, slowly and with complexity, over years and years sometimes. That's very rewarding, in a way that modelling never was.
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