A Quote by Pablo Neruda
Let us look for secret things somewhere in the world on the blue shore of silence or where the storm has passed rampaging like a train. There the faint signs are left, coins of time and water, debris ,celestial ash and the irreplaceable rapture of sharing in the labour of soitude in the sand.
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The water is this marvellous blue. It’s so blue that once you see it you realise you’ve never seen blue before. That other thing you were calling blue is some other colour, it’s not blue. This, this is blue. It’s a blue that comes down from the sky into the water so that when you look in the sea you think sky and when you look at the sky you think sea.
One of the reasons I love language is that concerning semiotics, language is an arbitrary sign system, which means the signs within it are free-floating, but we put them in a certain order to get them to have meaning for us. If we left them alone, they'd be like water, like the ocean. It would be just this vast field of free-floating matter or signs, so in this way, I think language and water have much in common. It's only us bringing grammar and syntax and diction and the human need for meaning that orders language, hierarchizes it.
Silence is essential for deep transformation. It allows the practice of conscious breathing to become deep and effective. Like still water that reflects things as they are, the calming silence helps us to see things more clearly, and therefore, to be in deeper contact with ourselves and those around us.
It is moonlight. Alone in the silence I ascend my stairs once more, While waves remote in pale blue starlight Crash on a white sand shore. It is moonlight. The garden is silent. I stand in my room alone. Across my wall, from the far-off moon, A rain of fire is thrown. There are houses hanging above the stars, And stars hung under the sea, And a wind from the long blue vault of time Waves my curtains for me. I wait in the dark once more, swung between space and space: Before the mirror I lift my hands And face my remembered face.
When a vision comes from the thunder beings of the west, it comes with terror like a thunder storm; but when the storm of vision has passed, the world is greenier and happier; for wherever the truth of vision comes upon the world, it is like a rain. The world, you see, is happier after the terror of the storm.
Home. When it rains, you can smell the leaves in the forest and the sand. It's all so small and mild, the landscape surrounding the lake, so manageable. The leaves and the sand are so close, it's as if you might, if you wanted, pull them on over your head. And the lake always laps at the shore so gently, licking the hand you dip into it like a young dog, and the water is soft and shallow.
What do you think they're going to do to us when they find us guilty?" she says after a few minutes of silence have passed. "Honestly?" "Does now seem like the time for honesty?" I look at her from the corner of my eye. "I think they're going to force us to eat lots of cake and then take an unreasonably long nap.
I wiped away the weeds and foam, I fetched my sea-born treasures home; But the poor, unsightly, noisome things Had left their beauty on the shore, With the sun and the sand and the wild uproar.
People say that time slips through our fingers like sand. What they don't acknowledge is that some of the sand sticks to the skin. These are memories that will remain, memories of the time when there was still time left.
We can tell much by what we have already willing discarded along the pathway of discipleship. It is the only pathway where littering is permissible, even encouraged. In the early stages, the debris left behind includes the grosser sins of commission. Later debris differs; things begin to be discarded which have caused the misuse or underuse of our time and talent.
Blue is the insides of something mysterious and lonely. I'd look at fish and birds, thinking the sky and water colored them. The first abyss is blue. An artist must go beyond the mercy of satin or water-from a gutty hue to that which is close to royal purple. All seasons and blossoms inbetween. Lavender. Theatrical and outrageous electric. Almost gray. True and false blue. Water and oil. The gas jet breathing in oblivion. The unstruck match. The blue of absence. The blue of deep presence. The insides of something perfect.
The colour blue - that is my colour - and the colour blue means you have left the drabness of day-to-day reality to be transported into - not a world of fantasy, it’s not a world of fantasy - but a world of freedom where you can say what you like and what you don’t like. This has been expressed forever by the colour blue, which is really sky blue.
Words stand between silence and silence: between the silence of things and the silence of our own being. Between the silence of the world and the silence of God. When we have really met and known the world in silence, words do not separate us from the world nor from other men, nor from God, nor from ourselves because we no longer trust entirely in language to contain reality.
Men who have reached and passed 45, have a look as if waiting for the secret of the other world, and as if they were perfectly sure of having found out the secret of this.
Night is falling. The gods have left us for those who please them better. Our time in the world is passed, and we are as wasted as the wind against the mountains. Shadows are falling, the gods have left us.
Men who have reached and passed forty-five, have a look as if waiting for the secret of the other world, and as if they were perfectly sure of having found out the secret of this.
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