A Quote by Pablo Picasso
Critics, mathematicians, scientists and busybodies want to classify everything, marking the boundaries and limits... In art, there is room for all possibilities.
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I think there was, like, a childhood moment where I had to pick shoes, either non-marking or marking shoes. The marking shoes were Spider-Man shoes. I'm like, 'Well, I want the Spider-Man shoes.' But I also didn't want to mark the court; I want to be able to play. I chose the generic, non-marking shoes.
The boundaries between contemporary art and cinema are so rigid. It's unbelievable. The film critics don't know my artwork and the art world doesn't know my films.
Now in the 21st century, the boundaries separating chemistry, physics, and medicine have become blurred, and as happened during the Renaissance, scientists are following their curiosities even when they run beyond the formal limits of their training.
Made in Catteland is a project that aims to overcome the boundaries of the work of art as we're used to thinking of it: exploring new possibilities of reaching the audience through the creation of new forms of art.
I knew a lot of black scientists, engineers, and mathematicians, and female mathematicians and engineers, women of all backgrounds. So this idea that anyone could be an engineer, a mathematician, or whatever, was something that I had grown up with and thought was really normal.
Philosophers and psychiatrists should explain why it is that we mathematicians are in the habit of systematically erasing our footsteps. Scientists have always looked askance at this strange habit of mathematicians, which has changed little from Pythagoras to our day.
Everything has boundaries. the same holds true with thought. you shouldn't fear boundaries, but you also should not be afraid of destroying them. that's what is most important if you want to be free: respect for and exasperation with boundaries. what's really important in life is always the things that are secondary.
Walkers are 'practitioners of the city,' for the city is made to be walked. A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities. Just as language limits what can be said, architecture limits where one can walk, but the walker invents other ways to go.
It is a melancholy experience for a professional mathematician to find himself writing about mathematics. The function of a mathematician is to do something, to prove new theorems, to add to mathematics, and not to talk about what he or other mathematicians have done. Statesmen despise publicists, painters despise art-critics, and physiologists, physicists, or mathematicians have usually similar feelings: there is no scorn more profound, or on the whole more justifiable, than that of the men who make for the men who explain. Exposition, criticism, appreciation, is work for second-rate minds.
I really want the audience to place close attention to the movement, possibilities of movement, possibilities of trespassing boundaries and observe what's possible in different social settings, and different settings of class designation as well.
Artists are free to push boundaries to make art. But when pushing boundaries is their only aim, the result is usually bad art.
Before I had my child, I thought I knew all the boundaries of myself, that I understood the limits of my heart. It's extraordinary to have all those limits thrown out, to realize your love is inexhaustible.
I classify Sao Paolo this way: The Governor's Palace is the living room. The mayor's office is the dining room and the city is the garden. And the favela is the back yard where they throw the garbage.
To the scientists of the Renaissance, your critic was really your ally, helping you advance upon reality. Critics in science are not like drama critics, determining flops and successes. Criticism to scientists is just another means of finding out whether they're wrong, like running another experiment to see if it confirms or refutes a theory. Along with the advocacy principle of the courtroom, It is one of the best ways human beings have evolved to get closer to the truth.
I would like to be remembered as the reporter who snuck back stage to all the off-limits shows, be it the Vatican dressing room, the Pentagon war room, or the Celtics locker room. Some curtains ought never to be pulled back; others deserve to be ripped down. When appropriate, I want to be the curtain remover.
Literary critics, however, frequently suffer from a curious belief that every author longs to extend the boundaries of literary art, wants to explore new dimensions of the human spirit, and if he doesn't, he should be ashamed of himself.
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