A Quote by Pablo Picasso

One never knows what one is  going to do. One starts a painting and then it becomes something quite different. — © Pablo Picasso
One never knows what one is going to do. One starts a painting and then it becomes something quite different.
I loved the book [The Adderall Diaries] I optioned it, I think some years ago. But there's a lot of different threads in the book. It starts off as one thing, where he's trying to cover this murder trial, and then his own life starts to impinge on that, so it becomes something else. I found that fascinating.
Something in me knows where I’m going, and - well, painting is a state of being. ... Painting is self-discovery. Every good artist paints what he is.
Before I started working on a computer, writing a piece would be like making something up every day, taking the material and never quite knowing where you were going to go next with the material. With a computer it was less like painting and more like sculpture, where you start with a block of something and then start shaping it.
War never accomplishes anything. It's never going to look good in the history books. People are never going to look back and think, 'He started a lot of wars; what a great leader he was!' That's not the way it works. God knows how many more of these things we're going to need before it starts to sink in.
I was at an art museum with my parents, and was quite taken with a [Vincent] Van Gogh painting. I stood admiring the painting for some time, and then realized that in addition to feeling moved by the beauty of the painting, I felt a little jealous of the painter.
I cringe at backstory. Because it never quite explains or gets into some psychological thing that is never quite right and never quite the truth and who knows why someone is someway.
One thing that really interests me is-and it comes out of Chinese and Japanese painting-where you have a number of different kinds of space in the same painting. You have a kind of deep space, and then you have something like right up on the surface.
You never quite know what you're going to come back to and figure out how to make it work. You never quite know where that desire to finish something, or return to something in a fresh way, is going to come from. Every time I finished a film and went back and looked at it, I had changed as a person.
I cringe at backstory. Because it never quite explains or gets into some psychological thing that is never quite right and never quite the truth and who knows why someone is some way.
If you keep pushing paint when you're tired of it, you lose sensitivity. I can only focus on painting for a few hours, so I'll stop and work on something quite different.
Fans tend to think that if you fall in love with an artist... and then he gets bigger, and he grows, and he starts to make a different sound, 'He's changing on us.' But with me, I created all types of sounds from the get go, so you can never say I'm changing; you can never say I'm going mainstream or I'm selling out.
We have two different ways of working. One is completely unstructured where somebody just starts playing and somebody joins in and then the other person joins in, and something starts to happen. That's occasionally what happens. What more often happens is that we settle on some sort of - a few sort of structural ideas, like, "Okay, when I put my finger up, we're all going to move to the extremes of our instruments. So, that means you can only play either very high or very low or both. And we're going to stay there until I take my finger down.
If you do something that's going to get somebody a job, then they'll be able to pay for their kid's school, and then their kid is going to be a doctor, and then that doctor is going to probably help who knows how many other people, so it's very motivating. Much more fun than going to the beach.
I don't think a young person ever really quite knows what's going on when their norm becomes going to the grocery store with sunglasses on at 11 years old. It's kind of weird, and I'll say it also went to my head the first little season, because that became normal for me.
But you haven't never loved God nor even nair person. You hard and tough as cowhide. But just the same I knows you. This afternoon you going to roam all over the place without never being satisfied. You going to traipse all around like you haves to find something lost. You going to work yourself up with excitement. Your heart going to beat hard enough to kill you because you don't love and don't have peace. And then some day you going to bust loose and be ruined.
I'm not that type of musician where I can sit down at the piano and work out a song; I actually really enjoy that process of sitting with somebody and having nothing and then suddenly something starts appearing. You struggle with it, and then suddenly a song starts to appear. Then, you've got to try and muscle it - there's that word again - into something and you do. You tussle with it and play with it and roll around with it and suddenly, magically, something appears.
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