A Quote by Pablo Picasso

To model an object is to possess it. — © Pablo Picasso
To model an object is to possess it.
[The photograph] is the object itself... [It] shares, by virtue of the very process of its becoming, the being of the model of which it is the reproduction; it is the model.
For a human being, to possess a consciously experienced first-person perspective means to have acquired a very specific functional profile and distinctive level of representational content in one's currently active phenomenal self-model: It has, episodically, become a dynamic inner model of a knowing self.
No author can create a character out of nothing. He must have a model to give him a starting point; but then his imagination goes to work, he builds him up, adding a trait here, a trait there, which his model did not possess.
Fear, as opposed to anxiety, has a definite object, which can be faced, analyzed, attacked, endured... anxiety has no object, or rather, in a paradoxical phrase, its object is the negation of every object.
Go to the object. Leave your subjective preoccupation with yourself. Do not impose yourself on the object. Become one with the object. Plunge deep enough into the object to see something like a hidden glimmering there.
We are possessed by the things we possess. When I like an object, I always give it to someone. It isn't generosity-it's only because I want others to be enslaved by objects, not me.
A model is a good model if first it interprets a wide range of observations in terms of a simple and elegant model, and second if the model makes definite predictions that can be tested, and possibly falsified, by observation.
Photographs are a way of imprisoning reality, understood as recalcitrant, inaccessible; of making it stand still. One can't possess reality, one can possess (and be possessed by) images — as, according to Proust, most ambitious of voluntary prisoners, one can't possess the present but one can possessthe past.
Nothing is more maddening than being questioned by the object of one's interest about the object of hers, should that object not be you.
I find very reasonable the Celtic belief that the souls of our dearly departed are trapped in some inferior being, in an animal, aplant, an inanimate object, indeed lost to us until the day, which for some never arrives, when we find that we pass near the tree, or come to possess the object which is their prison. Then they quiver, call us, and as soon as we have recognized them, the spell is broken. Freed by us, they have vanquished death and return to live with us.
Object in/ and space - the first impulse may be to give the object - a position - to place the object. (The object had a position to begin with.) Next - to change the position of the object. - Rauschenberg's early sculptures - A board with some rocks on it. The rocks can be anywhere on the board. - Cage's Japanese rock garden - The rocks can be anywhere (within the garden).
I did model for a little while part-time, but I wasn't a bloody model, and I am definitely not that horrible thing 'model-turned-actress.'
I was never a model-y model. I was doing it as a job, but people didn't even know I was a model.
McSweeney's as a publishing company is built on a business model that only works when we sell physical books. So we try to put a lot of effort into the design and production of the book-as-object.
An object of art creates a public capable of finding pleasure in its beauty. Production, therefore, not only produces an object for the subject, but also a subject for the object.
I don't possess these thoughts I have --- they possess me. I don't possess these feelings I have --- They obsess me.
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