A Quote by Pablo Picasso

Drawing is a kind of hypnotism: one looks in such a way at the model, that he comes and takes a seat on the paper. — © Pablo Picasso
Drawing is a kind of hypnotism: one looks in such a way at the model, that he comes and takes a seat on the paper.
All I liked to do when I was a kid was draw. My childhood was like my adult life: drawing pictures with my brother, putting the comics up on the glass window, and tracing the characters onto tracing paper or drawing paper and then coloring them. That and making things was all we ever did.
I'd love to drive a Lamborghini, but I think it's hard when the pedals are way down in there, and you sit real low, but I've come up with some pedal extensions. I actually sit in a kids' car seat that my old boss put this beautiful leather wrap around, and it looks just like a Corvette seat that sits on top of my leather Corvette seat.
The stomach is the seat of all feeling. The heart is the seat of the conscience. The mind is the seat of the ego. Your body is the seat of the soul. When a man goes out in the night and looks up at the universe, he is observing a mirror of himself. The universe within us, is a reflection of the universe we see out our eyes.
Drawing is not following a line on the model, it is drawing your sense of the thing.
I'd done a drawing of the model using only peripheral vision, looking at a spot on the wall to the right of where she sat. It wasn't really a drawing of her I produced; it was a drawing of the cloud of lights and darks she dissolved into when I focused on the spot. You could look at my drawing of this cloud and read it as a nude female figure, though a little translation was required.
A drawing should be a verdict on the model. Don't confuse a drawing with a map.
She's sensitive, too. Takes to hurt the way water takes to paper.
At that point it certainly would be called abstract. That is to say, you had a model and there'd be one or two or three people there drawing the model but otherwise you had abstractions all around the room, even though the model was in front of you.
To draw does not simply mean to reproduce contours; the drawing does not simply consist in the idea: the drawing is even the expression, the interior form, the plan, the model. Look what remains after that! The drawing is three fourths and a half of what constitutes painting. If I had to put a sign over my door to the atelier, I would write: School of drawing, and I'm certain that I would create painters.
The HoLee model was the first term structure model. I remember reading their paper soon after it was published and as it was fairly different from many of the other papers that I had read, I had to read it quite a few times. I realized that it was a really important paper.
If an overgrown child draws something on a piece of paper, you can't ask the paper what the drawing is supposed to represent.
The one thing I didn't do that was kind of controversial was go work for a daily paper, because I didn't like that kind of journalism, and I'm glad I didn't because that's the business model that's going totally extinct.
God created paper for the purpose of drawing architecture on it. Everything else is, at least for me, an abuse of paper.
God created paper for the purpose of drawing architecture on it. Everything else is at least for me an abuse of paper.
We see only the script and not the paper on which the script is written. The paper is there, whether the script is on it or not. To those who look upon the script as real, you have to say that it is unreal - an illusion - since it rests upon the paper. The wise person looks upon both paper and script as one.
The drawing is already partly there - it's in the paper. And the paper is talking before you do.
This site uses cookies to ensure you get the best experience. More info...
Got it!