A Quote by Pablo Picasso
The Parthenon is really only a farmyard over which someone put a roof; colonades and sculptures were added because there were people in Athens who happened to be working and wanted to express themselves.
Related Quotes
I always wanted to be an actor and my parents were happy with my decision. But that happened later. They were apprehensive initially because I have an MBA degree and I used to work for American Express' marketing team.
In school, I learned about artists and how they were free to express themselves. I was allergic to conformity, and the lifestyle attracted me. I wanted to express myself in a way that slammed people up against the wall.
It was one thing to make a mistake; it was another thing to keep making it. I knew what happened when you let yourself get close to someone, when you started to believe they loved you: you'd be disappointed. Depend on someone, and you might as well admit you're going to be crushed, because when you really needed them, they wouldn't be there. Either that, or you'd confide in them and you added to their problems. All you ever really had was yourself, and that sort of sucked if you were less than reliable.
I never felt that I belonged. When I was at school... First I went to a Jewish school, when I was very little. But when I was 12, they put me in a school with a lot of traditions, and they were educated people and they were talking about Greece and the Parthenon and I don't know what.
Kools and Newports were for black people and lower-class whites. Camels were for procrastinators, those who wrote bad poetry, and those who put off writing bad poetry. Merits were for sex addicts, Salems were for alcoholics, and Mores were for people who considered themselves to be outrageous but really weren't.
What passes for identity in America is a series of myths about one's heroic ancestors. It's astounding to me, for example, that so many people really appear to believe that the country was founded by a band of heroes who wanted to be free. That happens not to be true. What happened was that some people left Europe because they couldn't stay there any longer and had to go somewhere else to make it. That's all. They were hungry, they were poor, they were convicts. Those who were making it in England, for example, did not get on the Mayflower. That's how the country was settled.
The collapse of communism in essence added tens and tens of millions of people to the world labor supply, and the people who were added had previously been getting very low income, but they were not unskilled. Many of them were fairly well educated.
Because it was starting to get dark, and because the streets were crowded, I bumped into a googolplex people. Who were they? Where were they going? What were they looking for? I wanted to hear their heartbeats, and I wanted them to hear mine.
Comforting someone when they were stricken with loss was something else. It meant commitment. It meant caring. It meant you wanted to ease their pain, and at the same time you were thanking God that whatever the bad thing was that had happened, it hadn't happened to them.
It was better to know what people were really like than put your trust in someone who just wanted to hurt you in the end.
My parents are from the South - they were both born in Birmingham - so my dad saw R.E.M. really early on when they were playing college stuff in Athens. He had a bunch of their cassettes from the '80s, and when I was 8, 9, or 10, those were the sort of things that were around the cassette player in the living room.
I see a steady downward slope toward oblivion over the next three years. I'm pessimistic. Everything that's happened to me so far has been kind of flukey. I went into Twentieth Century because I wanted to work for Hal Prince. The part was too small according to my agent. I had been doing only leading parts, and he thought I should continue that. But the part was enlarged in rehearsal: songs were added, and it became more physicalized and showy. Then I won awards and got attention.
We were interviewing an author, and we started talking about how so many of them - Salinger, Shaw, Fitzgerald - were really an odd bunch. They put a barrier around themselves, and not many people got through it. This was the spark that I really latched onto - someone who could break through the barrier. Of course [FINDING FORRESTER] really began to take shape when I began to wonder, what if it was a young person?
The Andrians were the first of the islanders to refuse Themistocles' demand for money. He had put it to them that they would be unable to avoid paying, because the Athenians had the support of two powerful deities, one called Persuasion and the other Compulsion.The Andrians had replied that Athens was lucky to have two such useful gods, who were obviously responsible for her wealth and greatness; unfortunately, they themselves, in their small & inadequate land, had two utterly useless deities, who refused to leave the island and insisted on staying; and their names were Poverty and Inability.
I was in a comfortable situation, I was on tour, it was cool, but it wasn't at all what I wanted to do. So I had to leave it, start over. My friends were like, 'You were doing something, now you're back at day one.' So people kind of look at you different when you start over. Everyone needs to challenge themselves like that.
When I was a teenager, I remember I wanted to put so much makeup on - it was just a natural thing over there. Why they do it, I guess, is because historically, there were twice as many women as there were men after the World War II.
Related Authors
Asger Jorn Quotes
Danish
Painter
David Salle Quotes
American
Painter
Domenico Gnoli Quotes
Italian
Painter
Henri de Toulouse-Lautrec Quotes
French
Painter
Jean-Auguste-Dominique Ingres Quotes
French
Painter
John Currin Quotes
American
Painter
Laszlo Moholy-Nagy Quotes
Hungarian
Painter
Marsden Hartley Quotes
American
Painter
Milton Resnick Quotes
American
Painter
Odd Nerdrum Quotes
Norwegian
Painter
Robert Bateman Quotes
Canadian
Painter
Robert Longo Quotes
American
Painter
Vincent Van Gogh Quotes
Dutch
Painter
Walter Darby Bannard Quotes
American
Painter