A Quote by Pablo Picasso
The artist spends the first part of his life with the dead, the second with the living, and the third with himself.
Related Quotes
Once the curtain is raised, the actor is ceases to belong to himself. He belongs to his character, to his author, to his public. He must do the impossible to identify himself with the first, not to betray the second, and not to disappoint the third.
Creation is dominated by three absolutely different factors: First, nature, which works upon us by its laws; second, the artist, who creates a spiritual contact with nature and his materials; third, the medium of expression through which the artist translates his inner world.
If an artist is one who spends his life trying to define his being, I guess I would have to call myself an artist.
An artist spends himself like the crayon in his hand, till he is all gone.
The three most celebrated doctors on the island have been to see me. One sniffed at what I spat, the second tapped where I spat from, and the third sounded me and listened as I spat. The first said I was dead, the second that I was dying and the third that I'm going to die.
I think, for every artist, the second album is the most terrifying one to put out because it can either boost your career, and everybody can't wait until your third album, or the second one is terrible, and 'He probably hit a plateau on his first one.'
It is the third edition of 'Housefull,' I was there in the first and second, thank god, I'm in the third part.
If a young man gets married, and starts a family and spends the rest of his life working at a soul-destroying job, he is held up as an example of virtue and responsibility. The other type of man, living only for himself, working only for himself, doing first one thing and then another simply because he enjoys it and because he has to keep only himself, sleeping where and when he wants, and facing woman when he meets her on equal terms and not as one of a million slaves, is rejected by society. The free, unshackled man has no place in its midst.
The border between the dead and the living, if you're Mexican, doesn't exist. The dead are part of your life. Like my dad, who's not here, but he's here.That's why there's the Day of the Dead. There's such a connection with the dead.
Every man is his own Pygmalion, and spends his life fashioning himself. And in fashioning himself, for good or ill, he fashions the human race and its future.
My first MFA was in poetry, and it was very much part of a professional trajectory leading to life as a professor. But in my second and third years at Harvard, I realized I didn't want an academic life.
The most important sentence in any article is the first one. If it doesn't induce the reader to proceed to the second sentence, your article is dead. And if the second sentence doesn't induce him to continue to the third sentence, it's equally dead.
The first word gives origin to the second, the first and second to the third, and the third to the fourth, and so on. You cannot begin with the second word.
With most people, not describable as artists, all the finer part of their vitality goes into sex. They become third-rate poets during their courtship. All their instincts of drama come out freshly with their wives. The artist is he in whom this emotionality normally absorbed by sex is so strong that it claims a newer and more exclusive field of deployment. Its first creation is the Artist himself, a new sort of person; the creative man.
An artist is he who has his center within himself. He who lacks this must choose a particular leader and mediator outside of himself, not forever, however, but only at first. For man cannot exist without a living center, and if he does not have it within himself, he may seek it only in a human being. Only a human being and his center can stimulate and awaken that of another.
I was acquainted once with a gallant soldier who assured me that his only measure of courage was this: upon the first fire, in an engagement, he immediately looked upon himself as a dead man. He then bravely fought out the remainder of the day, perfectly regardless of all manner of danger, as becomes a dead man to be. So that all the life or limbs he carried back again to his tent he reckoned as clear gains, or, as he himself expressed it, so much out of the fire.
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