A Quote by Pablo Picasso

What a trade! Poor painters! They always wish to be understood, and they are analysed instead. — © Pablo Picasso
What a trade! Poor painters! They always wish to be understood, and they are analysed instead.
My private life is always under scrutiny. Each and every action is analysed and re-analysed.
I am astonished at the high prices paid for works by painters who are dead, prices none of them could expect when they were alive. It is a kind of tulip trade, in which living painters suffer but do not profit.
There are, of course, always painters whom I admire and find fascinating. I've often thought, 'Goodness, if I could paint like the Danish Golden Age painters, the early 19th century painters, the way they could paint a landscape - absolutely beautiful.'
A single element in transactional mode can never be analysed to calculate either loss or presumptive loss. The losses or gains of all elements in the transaction need to be analysed.
Instead of trade policy that is beneficial to American businesses and workers as well as our trade partners, we have a flawed trade policy that hurts all parties.
I wish I didn't get searched when I come through customs. I wish Christians stop beefin' with Muslims, Wish the poor didn't have to take welfare, Wish America had universal health care... Cause ain't no help here.
Proponents of the Central America Free Trade Agreement have conveniently ignored this fundamental fact: the effect of trade on incomes in Central America and how to alleviate the adverse consequences of trade liberalization on the poor.
In a system of free trade and free markets poor countries - and poor people - are not poor because others are rich. Indeed, if others became less rich the poor would in all probability become still poorer.
one does not only wish to be understood when one writes; one wishes just as surely not to be understood.
I wish people used wishes to modify themselves instead of others. Wish to be low maintenance. Wish to be autonomous, even.
IF we desire European civilization to be a raid and a rescue, we shall insist rather that souls are in real peril than that their peril is ultimately unreal. And if we wish to exalt the outcast and the crucified, we shall rather wish to think that a veritable God was crucified, rather than a mere sage or hero. Above all, if we wish to protect the poor we shall be in favour of fixed rules and clear dogmas. The rules of a club are occasionally in favour of the poor member. The drift of a club is always in favour of the rich one.
It is easy to say that there are the rich and the poor, and so something should be done. But in history, there are always the rich and the poor. If the poor were not as poor, we would still call them the poor. I mean, whoever has less can be called the poor. You will always have the 10% that have less and the 10% that have the most.
I always say Philadelphia, Pennsylvania is my biggest influence. But for painters, I like many, many painters, but I love Francis Bacon the most, and Edward Hopper.
I am a missionary, heart and soul. God had an only Son, and He was a missionary and a physician. I am a poor, poor imitation of Him, or wish to be. In this service I hope to live; in it I wish to die!
If painters could be compared to filmmakers, Bosch is the Hype Williams of renaissance painters. With Bosch, there's always a narrative that is very nonlinear - and that's the essence of a good music video.
I was born poor, I have lived poor, I wish to die poor.
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