A Quote by Pablo Picasso

I see for others... in order to put on canvas the sudden apparitions which come to me. — © Pablo Picasso
I see for others... in order to put on canvas the sudden apparitions which come to me.
Since we tend to see ourselves primarily in the light of our intentions, which are invisible to others, while we see others mainly in the light of their actions, which are all that's visible to us, we have a situation in which misunderstanding and injustice are the order of the day.
The universe is no narrow thing and the order within it is not constrained by any latitude in its conception to repeat what exists in one part in any other part. Even in this world more things exist without our knowledge than with it and the order in creation which you see is that which you have put there, like a string in a maze, so that you shall not lose your way. For existence has its own order and that no man’s mind can compass, that mind itself being but a fact among others.
Just slap anything on when you see a blank canvas staring you in the face like some imbecile. You don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, ‘You can't do a thing’. The canvas has an idiotic stare and mesmerizes some painters so much that they turn into idiots themselves. Many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of `you can't' once and for all.
Were a man, whom I know to be honest and opulent, and with whom I live in intimate friendship, to come into my house, where I am surrounded with my servants, I rest assured, that he is not to stab me before he leaves it, in order to rob me of my silver standish; and I no more suspect this event, than the falling of the house itself which is new, and solidly built and founded.--But he may have been seized with a sudden and unknown frenzy.--So may a sudden earthquake arise, and shake and tumble my house about my ears.
An artist who wants to transpose a composition onto a larger canvas must conceive it over again in order to preserve its expression; he must alter its character and not just fill in the squares into which he has divided his canvas.
Going out to others in order to reach the fringes of humanity does not mean rushing out aimlessly into the world. Often it is better simply to slow down, to put aside our eagerness in order to see and listen to others, to stop rushing from one thing to another and to remain with someone who has faltered along the way.
Alternate translation: Come brethren, if you have a mind to be ingrafted in the vine, It is a pity to see you lopped off in this manner From the stock. Reckon up the prelates in the very see of Peter; And in that order of fathers see which has succeeded which. This is the rock over which the proud gates of hell prevail not.
Apparitions are often confused with hauntings. The difference is that apparitions are "live" (intelligent consciousness) and hauntings are "recordings.
Put a colour upon a canvas - it not only colours with that colour the part of the canvas to which the colour has been applied, but it also colours the surrounding space with the complementary.
Whatsoever accidents or qualities our senses make us think there be in the world, they are not there, but are seemings and apparitions only. The things that really are in the world without us, are those motions by which these seemings are caused. And this is the great deception of sense, which also is by sense to be corrected. For as sense telleth me, when I see directly, that the colour seemeth to be in the object; so also sense telleth me, when I see by reflection, that colour is not in the object.
I never know what I'm going to put on the canvas. The canvas paints itself. I'm just the middleman.
I think we're all born with this huge canvas in front of us and the paintbrushes and the paint, and we choose what to put on this canvas.
No one would want to pay a penny for an empty canvas by me. But it would be quite another if the empty canvas were signed by a great artist. I would be surprised if an empty canvas by Picasso or Matisse signed and inscribed with the words, 'I wanted to paint such and such on this canvas, but did not do so,' would not fetch thousands... After all, with an empty canvas, the possibilities are limitless, and so perhaps is the cash.
Happiness cannot come from without. It must come from within. It is not what we see and touch or that which others do for us which makes us happy; it is that which we think and feel and do, first for the other fellow and then for ourselves.
Some men see mountains as obstacles. Others as a canvas.
Just dash something down if you see a blank canvas staring at you with a certain imbecility. You do not know how paralyzing it is, that staring of a blank canvas which says to the painter: you don't know anything.
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