A Quote by Pablo Picasso
You have to have an idea of what you are going to do, but it should be a vague idea.
Related Quotes
The idea occurred to him when he was twenty. At first it was only a vague idea, a question looming — what should I do? — with an answer taking shape: nothing.
It's absolutely of no importance who or what V was under the mask. He isn't a who or a what, he's an idea. The thing is, you couldn't continue it. Now and then the idea of a sequel has been raised, in vague forms, but I think it would be a bad idea. The story's finished.
I've found that in fiction - and this is just the kind of writer I am - I can't really work from an outline. I have a vague idea of the characters at the beginning of the book, and then I have a vague idea of whatever the end of the book will be, but I can't approach creative nonfiction like that.
There are two things that have to happen before an idea catches on. One is that the idea should be good. The other is that it should fit in with the temper of the age. If it does not, even a good idea may well be passed by.
I'm not saying my idea is the one and only idea. We should have other ideas, but the president has not laid down a specific plan as to how he's going to get us to solvency. I do that.
The vast majority of people support the idea of an enlightened, modern union of countries demonstrating solidarity. Film director Wim Wenders recently summed up the problem to me very well. He said the idea of Europe has become an administration, and now people think that the administration is the idea. But that doesn't mean we should give up on the idea - it means we should change the administration.
When I make a movie, I have both a specific and vague, amorphous dream idea of what the movie is going to be. Of course, I don't actually know what it's going to be, but I'm still striving to get to some place with it.
If you think my idea is awful, you should say as much. But there is a difference between attacking an idea and attacking the person behind that idea.
Democracy matters because it reflects an idea of equality and an idea of liberty. It reflects an idea of dignity, the dignity of the individual, the idea that each individual should have an equal vote, an equal say, in the formation of their government.
Pictures are the idea in visual or pictorial form; and the idea has to be legible, both in the individual picture and in the collective context - which presupposes, of course, that words are used to convey information about the idea and the context. However, none of this means that pictures function as illustrations of an idea: ultimately, they are the idea. Nor is the verbal formulation of the idea a translation of the visual: it simply bears a certain resemblance to the meaning of the idea. It is an interpretation, literally a reflection.
A tent, a roll mat, a little bit of food, a bit of petrol in your tank and a vague idea of where you're going and that's all you need.
[Photographer Julian Wasser] had this great idea that I should play chess naked with Marcel Duchamp and it seem to be such a great idea that it was just like the best idea I'd ever heard in my life. It was like a great idea. I mean, it was - Not only was it vengeance, it was art, and it was, like, a great idea. And even if it didn't get any vengeance, it would still turn out okay with me because, you know, I would be sort of immortalized.
The truth about filmmaking is you have all these ideas and you're trying to convince everybody that they should buy into this idea, but at two o'clock in the morning when you're all on your own you're going, 'Geez, I hope I know what I'm doing. I hope this idea is gonna work.'
Take up one idea. Make that one idea your life - think of it, dream of it, live on that idea. Let the brain, muscles, nerves, every part of your body, be full of that idea, and just leave every other idea alone. This is the way to success.
I really challenge every actor at the beginning of a process, and I always say, 'I have an idea that I'm going to bring to the table. I hope and expect that you will have an idea and bring it to the table. But the way I really want to work is that together we're going to have a third idea that is better than either of our ideas.'
It's important not to overstate the benefits of ideas. Quite frankly, I know it's kind of a romantic notion that you're just going to have this one brilliant idea and then everything is going to be great. But the fact is that coming up with an idea is the least important part of creating something great. It has to be the right idea and have good taste, but the execution and delivery are what's key.
Related Authors
Asger Jorn Quotes
Danish
Painter
David Salle Quotes
American
Painter
Domenico Gnoli Quotes
Italian
Painter
Henri de Toulouse-Lautrec Quotes
French
Painter
Jean-Auguste-Dominique Ingres Quotes
French
Painter
John Currin Quotes
American
Painter
Laszlo Moholy-Nagy Quotes
Hungarian
Painter
Marsden Hartley Quotes
American
Painter
Milton Resnick Quotes
American
Painter
Odd Nerdrum Quotes
Norwegian
Painter
Robert Bateman Quotes
Canadian
Painter
Robert Longo Quotes
American
Painter
Vincent Van Gogh Quotes
Dutch
Painter
Walter Darby Bannard Quotes
American
Painter