A Quote by Pablo Picasso

One must act in painting as in life, directly. — © Pablo Picasso
One must act in painting as in life, directly.
I deal with painting as I deal with things, I paint a window just as I look out of a window. If an open window looks wrong in a picture, I draw the curtain and shut it, just as I would in my own room. In painting, as in life, you must act directly.
This is the essential distinction--even opposition--between the painting and the film: the painting is composed subjectively, thefilm objectively. However highly we rate the function of the scenario writer--in actual practice it is rated very low--we must recognize that the film is not transposed directly and freely from the mind by means of a docile medium like paint, but must be cut piece-meal out of the lumbering material of the actual visible world.
Painting is an illusion, a piece of magic, so what you see is not what you see. I don't know what a painting is; who knows what sets off even the desire to paint? It might be things, thoughts, a memory, sensations, which have nothing to do directly with painting itself. They can come from anything and anywhere.
Psychoanalysis comes down to the process itself - the self, and life. I think I can say that I'm friends with the unconscious life, but I've never tried to make a painting directly from a dream.
Maybe poets express more directly a sense of sympathy for other human beings. Painting is a little bit more of a retreat from human beings in real life; painting is more about the extreme moments when speech doesn't help anymore.
I don't know what a painting is; who knows what sets off even the desire to paint? It might be things, thoughts, a memory, sensations, which have nothing to do directly with painting itself. They can come from anything and anywhere.
Everybody must have projects all the time. The maximum must be extracted from leisure ... The whole of life must look like a job, and by this resemblance conceal what is not yet directly devoted to pecuniary gain.
I'm not anti conceptual art. I don't think painting must be revived, exactly. Art reflects life, and our lives are full of algorithms, so a lot of people are going to want to make art that's like an algorithm. But my language is painting, and painting is the opposite of that. There's something primal about it. It's innate, the need to make marks. That's why, when you're a child, you scribble.
Painting is self-discovery. You arrive at the image through the act of painting.
There was a belief after World War I that painting could be an act of civil revolt. I want this exhibition, 'New Museum,' to be an act of civil disobedience. It's not so much about the New Museum on the Bowery, but the idea of challenging museums as projections of cultural authority. It's painting as insurgency.
My life is a creative act--like a painting, or a concerto.
Painting is a kind of call and response. During the act of painting one is listening, paying attention to a self, a voice simultaneously recognizable and foreign.
Of all the creative acts performed by the artist, the most directly legible is drawing... it is the act that is most directly and spontaneously governed by his nervous and muscular system.
It is evident that many wars are fought over resources which are now becoming increasingly scarce. If we conserved our resources better, fighting over them would not occur ... protecting the global environment is directly related to securing peace. Those of us who understand the complex concept of the environment have the burden to act. We must not tire, we must not give up, we must persist.
The fundamental basis of education must always remain that one must act for oneself. That is clear. One must act for him or herself.
Painting relates to both art and life. Neither can be made - I try to act in the gap.
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