A Quote by Pablo Sandoval
When you do some things in baseball in the city where you grow up and then you come back on a second opportunity, it's special.
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I grew up in Chicago and was a huge fan of 'The Second City', so when I moved to L.A., I was looking for anything that resembled that... then I started 'The Groundlings', so I went to a show and it was very much like 'Second City'. I was so impressed that that same night I went backstage and I went up to the funniest person there.
I felt that if there wasn't going to be a good opportunity, then I would just go back to second units which I love, keep working with great directors, keep learning and knowing that the opportunity would come when the time was right.
I think you come to watch baseball, and if you're a true fan, then you enjoy watching baseball. MLB tries to change this and change that, speed up the games, but baseball's baseball. You can't change it. It's America's pastime. It's the greatest game on earth. I don't really want to change it that much.
That this city has second lines - it's something I'm proud of. When the bands come back from the cemetery, they'll play something up - something like 'I'll Be Glad When You're Dead (You Rascal You)' - that will bring the people back to life.
I was lucky enough to grow up in an era when radio was less formatted. It was really special. You could hear a jazz song then a pop song then a show tune then some jazz. Basically, whatever the DJ felt like playing, he would play. He was educating you and exposing you to things you would never hear otherwise.
Five World Series rings, 3000-plus hits, the fame, the fortune and playing for the second most historic franchise in baseball... These are just some of the reasons kids would always say they want to grow up to be just like Derek Jeter.
You know this baseball game of ours comes up from the youth - that means the boys. And after you've been a boy, and grow up to know how to play ball, then you come to the boys you see representing themselves today in our national pastime.
You know this baseball game of ours comes up from the youth. That means the boys. And after you've been a boy, and grow up to know how to play ball, then you come to the boys you see representing themselves today in our national pastime.
'While You Were Sleeping' was actually a special opportunity for me to grow up a lot.
I think that all actors find they go down and then they come back up if you work on your craft. They come back up to the top and then they go back down and they come back up and they go back down.
Where are you going?" "Nowhere special. I just have some... things to do." "Why did you pause?' "I'm sorry?" "You paused. You have 'some... things to do.' "No reason, I just--" "You're up to something." "No--" "Then why'd you pause?" "Get in the car." She got in. He got in. "Seat belt," he said. Why'd you pause?" His head drooped. "Because I'm up to somthing." "And why can't I come with you?" "Because it's something sneaky." "Do you promise to tell me later?" "I do." "Well all right then." She clicked her seat belt into place. "Let's go.
If you watch the history of baseball, teams come back, and sometimes they could have come back, but they give in or give up.
I honestly haven't seen a lot people since we wrapped, really, but it's one of those things when you don't see someone for three months and then you pick right back up where you left off. I think Twilight is very special circumstance, and a special thing to be a part of, so there's this weird connection to have.
My stepfather had a connection with The Second City and told me I should go there. I woke up in a cold sweat one night and said, 'I'm moving to Chicago.' That's how I went to Second City.
Right, because they're looking at also organizing the Sunni tribes up around Mosul to take back that city as well. That's the second largest city in Iraq. That's going to be a very, very tough fight. And the Shia militias were not used in Ramadi, and we're told by the Iraqi generals that they don't want any Shia militias up in Mosul, either, to take back that city. So - but again, that's going to be a very, very tough fight.
But come back in November or December, in February or March, when the fog, la nebbia, settles upon the city like a marvelous monster, and you will have little trouble believing that things can appear and disappear in this labyrinthine city, or that time here could easily slip in its sprockets and take you, willingly or unwillingly, back.
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