A Quote by Pablo Schreiber

The beauty of the character is that it's like camouflage. It's the best costume ever. I rarely get recognized as Pornstache when I'm out in public. Most people recognize me as the Law & Order guy, when I'm out in public.
I can go out in public without being recognized. If I want to be recognized in public, it will happen.
The public square is more public than ever, but minds are rarely changed in 140 character bursts and by selfies.
People know me because I play the monsters, but I'm most recognized from the small roles in which they see my face. None of that stuff really bothers me. Whether I'm recognized in or out of a costume isn't a kind of pressure I put myself through anymore.
We've got to figure out a way that we give a private sphere for our public leaders. We're not gonna get the best people in public life if we don't do that.
A society - any society - is defined as a set of mutual benefits and duties embodied most visibly in public institutions: public schools, public libraries, public transportation, public hospitals, public parks, public museums, public recreation, public universities, and so on.
People don't recognize me when I got out in public.
I'm grateful that the public think of me as a sweet guy, but there are times when I get worried that my behavior would disappoint the public. I'd like to show them that there are different sides of me.
If people recognize me when I'm out in public, I'm very nice to them. I'm very nice to people even when they don't recognize me. I don't even mind if people come up to me while I'm eating dinner, but if they recognize me while I'm having sex, I refuse to sign autographs.
After getting recognized in public from my picture on our pretzel bag, I can understand not wanting to be in the public eye. It has given me a public persona I had always avoided as a child. I do it because it's for a good cause.
What a costume designer does is a cross between magic and camouflage. We create the illusion of changing the actors into what they are not. We ask the public to believe that every time they see a performer on the screen, he's become a different person.
What a costume designer does is a cross between magic and camouflage. We create the illusion of changing the actors into what they are not. We ask the public to believe that every time they see a performer on the screen he's become a different person.
The effort to make financial or political profit out of the destruction of character can only result in public calamity. Gross and reckless assaults on character, whether on the stump or in newspaper, magazine, or book, create a morbid and vicious public sentiment, and at the same time act as a profound deterrent to able men of normal sensitiveness and tend to prevent them from entering the public service at any price.
You know, just being recognized for anything musically for me has been, like incredible because this is all I do, this is all I got. So whenever people can recognize and acknowledge that I'm out here working and doing the best that I can and it's actually paying off and doing something for me, it's a blessing.
The interest of [businessmen] is always in some respects different from, and even opposite to, that of the public ... The proposal of any new law or regulation of commerce which comes from this order ... ought never to be adopted, till after having been long and carefully examined ... with the most suspicious attention. It comes from an order of men ... who have generally an interest to deceive and even oppress the public.
The Internet is the new public space. And because women are out in public, people don't like that in much the same way that if you're walking down the street you get harassed. I think the same kind of thing happens online, and I think that's why a lot of women are hesitant to put their voice out there.
I do believe that a law-abiding citizen that is armed, that's out in public, will keep himself, his staff, and, in some cases, the public safe.
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