A Quote by Pablo Schreiber

I got nominated for a Tony in my Broadway debut, which was fascinating and thrilling and sort of unbelievable all at the same time. — © Pablo Schreiber
I got nominated for a Tony in my Broadway debut, which was fascinating and thrilling and sort of unbelievable all at the same time.
'Dancin' was exceptionally significant. I was in an original Broadway show and nominated for a Tony.
I always wanted to be a Broadway girl. But once I got Tony-nominated, it really messed with me, because it was like, yes, I'm getting this affirmation that you're right where you're supposed to be, but there was still this voice saying, 'You're not good enough.'
For your first musical in New York, to go to Broadway and be nominated for a Tony is a dream come true.
I got nominated for a Tony, which was a complete surprise. It was an experience that I will always cherish
I got nominated for a Tony, which was a complete surprise. It was an experience that I will always cherish.
'Grease' was my Broadway debut. That was eye-opening. At the same time, it was very familiar. It was a Broadway show, but it's kind of the same as doing a show in Minnesota. It's the same type of rehearsal process. You are doing 8 shows a week, but I worked at a theatre in Minnesota that did 11 shows a week.
I'm very proud of my New York debut. I played Oscar Wilde in 'Gross Indecency' off Broadway in about 1997. And I was very proud of my Broadway debut in 'The Iceman Cometh.'
In all big cities the style of life is the same. Same endless array of restaurants; same big museums with the usual suspects; same anonymity, which can be thrilling when you're young but which I found got tiresome.
When I got to New York, all I wanted to do - or so I thought - was win a Tony award or, at least, be nominated.
I often say time is malleable, but the reception of an artwork is malleable too. When the culture changes, the view and the way you see that work, your perspective, changes. It's something that you can't control. It's sort of daunting and intimidating, but at the same time very fascinating, extremely fascinating.
Making my Broadway debut was, in and of itself, just a dream come true. I've wanted to be on Broadway forever.
Being nominated is the win. For me, being nominated is winning. It's just unbelievable.
There have been two [career highlights]. Waking up in New York to hear I'd been nominated for Best Actor for a Tony Award on Broadway, for An Ideal Husband. The other one was waking up the morning after the opening night of A Man For All Seasons and reading the reviews.
I got my Equity Card with my Broadway debut when I did 'Rent.' I was in high school, and I came to New York to do that show.
Cinderella is making her Broadway debut. It's an honor to step into that position and, in that way, I am creating a role because it's never been done on Broadway. I feel so honored.
To be totally honest, I thought I would have a Broadway debut in the distant, distant future, maybe in my 60s or 70s when somebody revived one of my off-Broadway plays with a star.
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