A Quote by Paddy Considine
The thing is, if I try to talk about acting, I come off as moaning. But I'm privileged. I think it's all about control. Acting is vulnerable because you're not in control of anything. You have to give up a lot of your trust; it's up to somebody else what they do with what you've given them.
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I have the confidence that I can take anybody and have them give a good performance, because I don't think there's anything to acting except expressing, being able to converse. So if I can just convince somebody not to clean themselves up, and not to be someone that they're not, and just be what they are in given circumstances, that's all that acting is to me, and I don't think it's very difficult.
Acting is a craft to me: I just think you get better the more you do it. And then the irony to that is your doing it is not in your control. If it was up to most actors, we'd work all the time, and we'd always get better. But it's not in our control, so we have to wait to be given parts to do.
When I wake up, I always thank God. I'm grateful for another day, and he's allowed me this tiny thing that we should be appreciative of. As long as you know who you are, everything else will be OK. No one else can intervene or interfere or affect you, because you control your destiny, you control your tone, you control everything in your life.
The Control movie is not about suicide, it's not about epilepsy, it's not about everything else, but it's about an individual who was thinking out of the box and took his own passion and created music. His negativity and whatever else, he bottled them up and spilled them out onto his world of music. I think a sense of hope comes from the end of the movie, in my mind. Some people come out of the movie and think, 'That's the saddest thing I've ever seen,' and others come out and think, 'God, there's optimism.'
I'm just used to having so much control in music and in acting you have to give that up a bit. Sure, our voices are heard on set, but at the end of the day you can lose an argument. Whereas in music, if I feel the second verse needs to be changed I can change it. I find it really hard as an artist to give up some of that control.
I try to not think too much about how stuff gets seen as it's being done by a woman. Because if you think about it, then you end up thinking about how you're acting, and if you are thinking about how you're acting, then you are preoccupied and you're going to end up being insincere. You're kind of not present.
Cooking professionally is a dominant act, at all times about control. Eating well, on the other hand, is about submission. It's about giving up all vestiges of control, about entrusting
your fate entirely to someone else. It's about turning off the mean, manipulative, calculating, and shrewd person inside you, and slipping heedlessly into a new experience as if it were a
warm bath. It's about shutting down the radar and letting good things happen. Let it happen to you.
Acting is the best job in the world. Look at the way they treat you when you turn up for work. They give you breakfast and a cup of tea and ask, 'Are you all right' They tart up your face, you say somebody else's words, then pick up your check and go home. And you get days off. I tell you, it really is the way to live.
At the time, nobody knew what it was. It had no name. When everything else is out of your control, you can control your eating. You end up cutting a lot of things off. Nothing reaches you. I was very happy then - that was the oddity.
I love acting. I think that's the best job in the world, but I don't really enjoy the career of it so much. You don't have as much control over your life or the material as you do, well, certainly when you're a director or a producer, so while I love acting, I prefer to make my living as a filmmaker, but my rule on acting is if somebody asks me to do a part, I'll do it.
We often joke about men moaning about being ill, whether it's man flu or anything else. We want them to be silent and strong about these things. And that's quite dangerous when it comes to depression, because talking about it helps. People bottle it up until it's too late.
It's hard to talk about acting because I don't think it's quite as explicit as a lot of people might think. And that's probably the best thing about it.
Marriage changes everything. I want full control over my life. When you share your life with somebody else, you can't have full control. You have to give a lot of control away. You share each other's lives.
When I was auditioning for Divergent, I was kind of in the dumps. I wasn't really happy with acting, and I didn't know if I wanted to do it anymore. I went on a bunch of auditions and nothing worked out. Then they said, "Hey, you got a callback for this thing, Divergent." Because I was in such a weird place in my life, I didn't look up what it was about, didn't look up the director, didn't look up that Shai Woodley was a part of it. I read the script, obviously, but I closed myself off from anything else.
When you hit your strive, and you feel confident in what you're doing and in your process, you really want to do more and try lots of different things. I've also really worked on my breathing, which is a funny thing to talk about, if you're not an actor. I think breathing is actually the key to a lot of opening up of other parts of yourself that you haven't used, for any job, but particularly in acting.
The white man is too intelligent to let someone else come and gain control of the economy of his community. But you will let anyone come in and take control of the economy of your community, control the housing, control the education, control the jobs, control the businesses, under the pre-text that you want to integrate. No, you outta your mind.
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