A Quote by Paddy McGuinness
Janice Connolly is one of them people that whenever you see her, she's happy.
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Fraser's mother, Janice, was actually quite a happy soul but she had to hide it because, like all pseudo intellectuals, she thought being cheery made her look stupid, which of course she was for believing that rubbish in the first place. She like to talk about Sartre sometimes, just as insurance.
I could distinguish the shape of her bosom, her arms, her thighs, just as I remember them now, just as now, when the Moon has become that flat, remote circle, I still look for her as soon as the first sliver appears in the sky, and the more it waxes, the more clearly I imagine I can see her, her or something of her, but only her, in a hundred, a thousand different vistas, she who makes the Moon the Moon and, whenever she is full, sets the dogs to howling all night long, and me with them.
She was the first person on either side of her family to go to college, and she held herself to insanely high standards. She worried a lot about whether she was good enough. It was surprising to see how relieved she seemed whenever I told her how amazing she was. I wanted her to feel strong and free. She was beautiful when she was free.
It's the secret smile you get from knowing that, somewhere, there is someone who is yours. Not in the sense that you own her or control her. She is yours because you can say anything to her, whenever you need to. And she can do the same, whenever she needs to.
I see a Reiki healer from time to time. She sits on my bed, and I lie in her lap. She puts her hands on me for about 45 minutes, and she reads my energy. Whenever I'm having a hard time, I call her. I also go to weekly therapy, and that has been invaluable. Also, getting on medication for my 'neural atypicalities,' I guess we might call them.
My mother was a huge influence on me. She was a living example of what a Christian should be. Her conviction, her discipline. She would rather see other people happy than herself.
And so when Mrs. Darling went back to the night-nursery to see if her husband was asleep, all the beds were occupied. The children waited for her cry of joy, but it did not come. She saw them, but she did not believe they were there. You see, she saw them in their beds so often in her dreams that she thought this was just the dream hanging around her still.
People paused to listen to Denise Chávez and she had them - with gum on her shoes, she had them. She said she stepped on gum when she came up to the stage and she couldn't move, so she had to stay in one spot otherwise people would see the Chiclet.
Karen wasn't hard, she was soft, too soft. A soft touch. Her hair was soft, her smile was soft, her voice was soft. She was so soft there was no resistance. Hard things sank into her, they went right through her, and if she made a real effort, out the other side. Then she didn't have to see them or hear them, or even touch them.
Rebecca held her head high and swanned across the hallway, but as she neared the footman, she could see quite plainly that his gaze was not where it should be. She stopped dead and slapped her hands over her bosom. "Its too low, isn't it? I knew I shouldn't have listened to that maid. She might not mind her boobies hanging out for all to see, but i just can't-" Her brain suddenly caught up with her mouth. She removed her hands from her bosom and slapped them over her awful, awful, awful mouth.
Staring at him the way she might stare at a beloved place she was not sure she would ever see again, trying to commit the details to memory, to paint them on the backs of her eyelids that she might see it when she shut her eyes to sleep.
How could you miss it? Just the sound of her voice makes my chest feel tight, my face gets hot and my mouth goes dry whenever she's near. It's getting so bad, all I have to do is see her and I'm already thinking, 'What does she want? What can I do for her?' She's got some power over me, there's no question, and what else could it be? ~Razo
I love my mother the most in the world. She has seen a lot of poverty and loneliness and is very simple. Whenever I am in trouble, I go far away from her, as she is not at all strong. If I see her breaking, I break.
The girl was lighter without her heart. She danced barefoot on the hot roads, and her feet were not cut by the glass or stones that studded her way. She spoke to the dead whenever they visited her. She tried to be kind, but they realised that they no longer had anything in common with her, and she realised it, too. So they went their separate ways.
She lay on her back and walked her fingers down her ribs, skipped them over her abdomen, and landed on her pelvic bones. She tapped them with her Knuckles. [. . .] I can hear my bones, she thought. Her fingers moved up from her pelvic bones to her waist. The elastic of her underpants barely touched the center of her abdomen. The bridge is almost finished, she thought. The elastic hung loosely around each thigh. More progress. She put her knees together and raised them in the air. No matter how tightly she pressed them together, her thighs did not touch.
Miss Celia stares down into the pot like she's looking for her future. "Are you happy, Minny?" "Why you ask me funny questions like that?" "But are you?" "Course I's happy. You happy too. Big house, big yard, husband looking after you." I frown at Miss Celia and I make sure she can see it. Because ain't that white people for you, wondering if they are happy ENOUGH.
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