A Quote by Padmapriya Janakiraman
In every film, I sport a different look for each character. It's almost as if my features change to accommodate the characters.
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I look at actors like Johnny Depp, Sean Penn, and Benicio Del Toro, and they play all these different characters. I'm hoping that, in my lifetime, I'll be able to look back and say, 'You know what? I did all these different characters, and I enjoyed every single film I did.'
I look at rap as an opportunity to act. My head is full of different characters - in each song I'm auditioning a character.
I don't shoot two films at the same time. I finish one character and get into another character because I change my look for every film. It's difficult, but I enjoy doing that.
I'm in four different films this year, and I have four different accents. I sound different in every film. You have to love a character to play it well, and change in my work is what I want.
If you look at everything I've done, each character is so wildly different from each other, and that's what "The L Word" afforded me the opportunity to do. I want to continue to play characters that are not like me at all, and transform.
I worked with dance a lot, for each character - different ways I could move my body, different music. It's the most fun thing in the world, because I love each and every one of the characters and I'd be happy just to play one of them, but the fact that I get to play upwards of six, seven, eight or whatever, it's a total dream.
I'm a character actor but unlike a lot of character actors, I don't look radically different from film to film and there was a bunch of them at once.
Every character is so different, if you put the photos next to each other, you see how different I looked and how different I tried to be. And that's what I really enjoyed, that I could really be a different character every time.
I have songs that define characters from each film of mine. It can be a song from that particular film or something that just goes with the wavelength of the film; you listen to it, and it gives you that rhythm. I can't articulate how it helps, but it somehow gives you an understanding of the character.
It may seem that I am doing films in different languages, which of course I am, but more importantly, I am performing different characters and every character has so much to teach. It makes me happy that I am associated with so many film industries.
I'm always trying to change things - change my character, change my look, change my hair, change my facial hair, change my costumes, or implement different jackets or catchphrases. I try to keep myself fresh.
We had to tell a hero's story, and the minute you have too many characters, it will take too much time in a two-hour film. We cannot do justice to each and every character.
I want to bring something different to every film. I get a bit tired of actors who kind of are the same character in every film that they do.
I believe that every character I create is in their own film, that happens to overlap with the main film. There are complete and real characters, even though we only spend only a little time with them. In the approach to what those entities are, that always appeals to an actor. What are they, since they are going to embody this character?
The '50 Shades' series is a Cinderella story, where the characters seemingly have no flaws. The 'Crossfire' series is very different in that these two characters are almost mirror images of each other.
In 'Road,' my character is linear and uni-dimensional. It was more of a reacting character. I am a foil to the other characters in the film. It is the most normal character in the most abnormal, extraordinary film.
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