I do pick my projects very meticulously. I want my projects to be meaningful.
I want to do Hindi films, but a proper one and a good production. I'm even open to multi-starrers because those work better in Bollywood. But it should be with only Bollywood technicians, not the South Indian team. There's no point to my going to Bollywood if I work with the same artistes and technicians.
I have done a lot of work in Bollywood over the years as an actor and director. I now want to pursue projects that will give me a global profile.
Retire from your job but never from meaningful projects. If you want to live a long life, you need eustress, that is, a deep sense of meaning and of contribution to worthy projects and causes, particularly, your intergenerational family.
I am not a part of Bollywood. Nobody cares about me in Bollywood and I have mentally resigned from Bollywood long ago. I am an independent filmmaker.
As far as I am getting interesting projects to work in, it doesn't matter whether it's Bollywood, South or Gujarati. The script is the hero for me.
I am greedy for both Hollywood and Bollywood. For me, Bollywood is not new, as it is something that I grow up on... I know the plot... stories and characters that are written and made. I haven't got the right opportunity to show my work in Bollywood.
I wonder a lot about making things meaningful. You want to do meaningful work and make art, but you're making records, which is good, but you don't want to weight them - it's a very curious thing.
The things and the projects that I want to be a part of are not the ones that I get offered. I get offered a lot, but it's not what I'm interested in. So I have to fight very hard for the things that I want to do and to work with the filmmakers that I want to work with.
I want to be inspired by the characters that I play and excited by the projects that I do.
I've been lucky. The projects I've gotten to work on are projects I'd want to watch myself. That's what I try to shoot for.
For actors, being successful is generally getting a job. If you can work a lot, you're really successful. If you work a lot on projects that are interesting and intelligent and great fun to be part of, then you're hugely successful. And I feel hugely successful. I can't believe that I get to be involved with the projects and the people I work with.
There are those special projects that don't ever feel like work but just a blessing to be a part of, and 'Revolution' is one of those projects.
I want to keep doing projects that speak for people within the community and tell different types of meaningful stories.
I have some scripts, I'm putting a couple of projects together with people I want to work with. I think that's the most exciting part, when you can hopefully create your own content and find the people that you love that you get to work with.
I was very excited to do 'The Witches.' It was with one of my favorite directors, Nick Roeg, and I loved his work from 'Don't Look Now' and 'Eureka.' So I was very excited to work with him. The story was a very subversive fairy tale by Roald Dahl, and a fantastic part.