A Quote by Padmapriya Janakiraman

All my directors have tried to draw the best out of me at that point of time. — © Padmapriya Janakiraman
All my directors have tried to draw the best out of me at that point of time.
I tried working with the best of directors and producers. I tried being selective, but things didn't work out. Now, I am open to working with anybody and everybody who is good. Or I'll try to make it good. That suits me.
We were telling, and frankly the media didn't take it seriously, during the time when we tried to point out that Debbie Wasserman Schultz was biased. She scheduled debates at times that didn't draw huge audiences, I believe, and many believe, because she didn't want Bernie to have a larger exposure to the voters.
You know the only thing for me, obviously the routine was completely different, but I had plenty of time getting loose. I threw enough pitches, took my time. Tried to time it out as best I could.
I think the best directors rarely loose their temper. I think the best directors provide you with a safe environment where they can instill you with confidence and allow you to try things out and not feel like your failing or that you're doing it wrong.
You can write a script, but that's just a starting point as a cartoonist. The heart of the process comes when you start to draw it, and you work out how to lay the page out, how best to tell the story.
I tried for the longest time to find out what deconstructionism was. Nobody was able to explain it to me clearly. The best answer I got was from a writer, who said, 'Honey, it's bad news for you and me.
Me not showing any emotion is not the best for me. I've tried that. It kind of bottles up, and then at some point explodes.
I've always wanted to work with the best directors. Directors lead you to the best material and thus the best actors.
What is the luck of the draw that me - me - who finally writes a book, it comes out in the - in the - in the time, in the center of the first pandemic, H1N1? And I'm going out on signings, and I'm going out to the public. This is the one time when I need to be hermetically sealed.
I don't have any problem working with first-time directors because all directors have to start somewhere and all great directors have had a first film. So, if you take the view that you don't want to work with a first-timer, you might miss out on a fantastic opportunity.
[With theater] you draw the audience into the room as best you can, and in film, you can draw them into the room, you can draw them outside into the desert, you can take them out into the ocean, you can do all these amazing things.
The nurses at the hospital tried to soothe me, and they even tried unsuccessfully at one point to return me to Americans.
You have to be very pragmatic, because you walk out to bat at the best time to bowl, with a brand new ball, against the best bowlers, who are fresh. And their job is to get you out, so when you fail there's no point beating yourself up.
In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.
My dad always pushes me, tries to make me do better, and maybe that's what gets the best out of me. He's tried to instil that in me.
I never really planned a career. I've tried to avoid it. I've tried to do this stuff I felt for, the stuff I like. So, I've just been meeting these fantastic directors who've offered me a variation of different parts and different films.
This site uses cookies to ensure you get the best experience. More info...
Got it!