A Quote by Page Hamilton
Later after college I discovered Gang of Four, Buzzcocks, and those kind of bands. My tastes have changed but I still carry a lot of the influences from my youth.
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These new bands sound like Gang of Four — if Gang of Four sucked.
Billie Joe Armstrong of Green Day always says we were influences on him, because he does melodic but distorted, like what we were doing. The Ramones were doing it. We were doing it. The Buzzcocks, all those bands.
I played in rock bands in college and then right out of college I moved over to Europe and lived in Ireland for about four years playing in indie rock bands. I love and miss being in a band, I still am in a band but pursuing that as a career I definitely missed it but I felt like that ship had sailed.
People wonder if the Pearl Jam audience will get into The Buzzcocks. Eddie Vedder is a big Buzzcocks fan. He used to come to see Buzzcocks before he was in Pearl Jam. If his fans like what he likes, I guess that they might like The Buzzcocks.
The influence of the Gang of Four should not be underrated, but it should be noted that 97 or 98 per cent of the population hate them intensely for their crimes. This was shown by the mass movement against the Gang of Four which erupted at Tiananmen Square on April 5, 1976, when the Gang were still riding high, Chairman Mao was critically ill and Premier Zhou had passed away.
It's very tough to give advice because it's tough out there for everybody but for a girl it's even tougher, because I don't think the glass ceiling has changed at all in the past 30 years. Otherwise the radio would be covered with girl bands, or girls in bands, so I don't think much has changed on that level. But I think that bands can still have a lot of success trying to go another route.
For me, growing up in New York, it started with Elvis Costello and the Clash and then got into louder things like Bad Brains and Stimulators, because those were, like, the local bands. Then I started getting into bands from England like the Slits. I remember seeing Gang of Four at Irving Plaza; that was a really big show for me.
I was making stickers for guys' bands. I was in the front row photographing bands, booking bands, doing all of the kind of backstage stuff, and I didn't even think for a second I could do it, and then I saw Babes in Toyland, and all that changed.
I was just obsessed with bands like Third Eye Blind, Matchbox 20, Everclear - those were shows I was going to. A lot of those bands definitely inspired me. Those bands' songs are powerful enough that they can last forever.
We came along at a time when people were really focused on music. We were part of the second generation of bands after all of those great 60's bands when rock was still in its' infancy.
There's a lot of bands that don't release an album every year. There's a lot of bands that take three, four or five years off here and there, but they don't say 'hiatus,' so no one really notices it.
I went to - I got a wonderful college education. I went to Harvard. In those four years, I accumulated a lot of knowledge, but I also created a kind of habit of learning that has stayed with me my whole life.
I got a wonderful college education. I went to Harvard. In those four years I accumulated a lot of knowledge but I also created a kind of habit of learning that has stayed with me my whole life.
I started writing songs for youth theater and stuff, and so it's really writing music for the stage that started me out, but then I eventually went to music college and did a two-year course in contemporary music and then just played in endless bands, cover bands, jazz bands.
Two of my favorite bands, Blackberry Smoke and Black Stone Cherry, I just think both of those bands are a good new progressive kind of Southern Rock that's a little different than us but still has a rootsy thing going on.
The idea of trust-fund guys who live in Brooklyn in their 30s is really interesting to me. There's a time and a place where that kind of bohemian lifestyle is appropriate, soon after college, in your 20s. But there are people still living that many years later; they haven't evolved to the next phase.
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