A Quote by Page McConnell
Every piece has its own identity which we develop by the rule 'We know no limits.' We follow the inspiration of the moment and don't worry if what we're playing is alternative, progressive or fusion rock.
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I think flag football is a great alternative, and it's a great game in its own right. It's a wonderful alternative. You can develop all of the skills and athleticism and glean the lessons you can from contact football through playing flag.
When mortals are alive, they worry about death. When they're full, they worry about hunger. Theirs is the Great Uncertainty. But sages don't consider the past. And they don't worry about the future. Nor do they cling to the present. And from moment to moment they follow the Way.
People who like progressive music tend to sneer at the idea of a kind of punk aesthetic, and people who like alternative indie rock or punk rock tend to sneer at what they see as the pretentiousness and pomposity of progressive music.
I worry about civil-rights activists being targeted as black-identity extremists. I worry about the government saying, 'I don't like this progressive blogger' and subjecting them to scrutiny.
Life always gives us exactly the teacher we need at every moment. This includes every mosquito, every misfortune, every red light, every traffic jam, every obnoxious supervisor (or employee), every illness, every loss, every moment of joy or depression, every addiction, every piece of garbage, every breath. Every moment is the guru.
Have you ever had a moment where you finish a piece, and then all of a sudden the piece sort of takes on it's own life beyond you? It doesn't happen every time, but there are some pieces where that happens, and I love that. I feel like that's what I'm seeking nowadays, that moment of transcendence with a piece. Where this thing becomes larger than me as a person. It becomes otherworldly, and then I get separated as maker from it, and then it has it's own life. I love that.
I'm in no position to hand down any advice," he said, "but there's a rule I follow when I don't know what to do." "A rule?" "If you have to choose between something that has form and something that doesn't, go for the one without form. That's my rule. Whenever I run into a wall I follow that rule, and it always works out. Even if it's hard going at the time.
Every time the mainstream media talk about progressive rock, they wheel out a clip of Rick Wakeman in a cape. For me, it's one of the most ambitious forms of music. The problem is that when it doesn't work, you end up with Emerson, Lake and Palmer doing symphonies with 60-piece orchestras and revolving pianos, which I think is ridiculous as well.
Success consists in felicity of verbal expression, which every so often may result from a quick flash of inspiration but as a rule involves a patient search... for the sentence in which every word is unalterable.
Don't worry about trying to develop a style. Style is what you can't help doing. If you write enough, you draw enough, you'll have a style, whether you want it or not. Don't worry about whether you're "commercial". Tell your own stories, draw your own pictures. Let other people follow you.
I push my own limits every day, every moment - in the studio, on the stage and beyond so it's truly a genuine fit.
You gain know-how from playing matches because every moment of a football match has its own rhythm.
Rock and Roll does have its limits as far as the aging process. You want to go out there and play while you're at your peak, right? I think that's encouraging us to keep going out on the road - to maximize the playing at the moment.
If you're playing within your capability, what's the point? If you're not pushing your own technique to its own limits with the risk that it might just crumble at any moment, then you're not really doing your job.
Every man takes the limits of his own field of vision for the limits of the world. This is an error of the intellect as inevitable as that error of the eye which lets you fancy that on the horizon heaven and earth meet.
I love idleness. I love to busy myself about trifles, to begin a hundred things and not finish one of them, to come and go as my fancy bids me, to change my plan every moment, to follow a fly in all its circlings, to try and uproot a rock to see what is underneath, eagerly to begin a ten-years' task to give it up after ten minutes: in short, to fritter away the whole day inconsequentially and incoherently, and to follow nothing but the whim of the moment.
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