I'm like this wiry freak they pulled out of a bar two months ago and said, 'Let's throw it on the wall and see if it sticks.'
Anyone who's really utilized collaboration has a philosophy like, 'Let's throw it all against the wall and see what sticks.' That's how we do it. At a certain point, we're cutting scripts that we love.
A lot of people are promoting records that are just throw-it-agains t-the-wall-see- if-it-sticks meaningless bullshit. Everybody has the responsibility to do the right thing and promote artists that mean something.
Well, what I try to do is throw as much mud on the wall as I possibly can and just see what sticks, what shines as quirky or more interesting that the others, and I try to cling onto that one, somehow join a link from there to there.
I think I'm a really hard worker, and I feel like my attitude is to just enjoy the process of being creative and developing and 'just throw a bunch of stuff against the wall and see what sticks.'
I'm the guy pushing a trillion-dollar infrastructure plan. With negative interest rates throughout the world, it's the greatest opportunity to rebuild everything. Shipyards, ironworks, get them all jacked up. We're just going to throw it up against the wall and see if it sticks.
We try lots of stuff. We throw it against the wall, and the stuff that sticks stays in the movie.
When you're doing comedy, it is so subjective. What is funny to you is not funny to another person. What is dirty to you is not dirty to the other person. Comedy is one of those things you throw against the wall and see what sticks.
I think the philosophy will continue to be what it always was; which was, let's keep throwing a bunch of things at the wall, and see what sticks.
In life you throw a ball. You hope it will reach a wall and bounce back so you can throw it again. You hope your friends will provide that wall.
I think people have a little wall they throw up real quick if they see swords and sorcery.
Many people think that open source projects are sort of chaotic and and anarchistic. They think that developers randomly throw code at the code base and see what sticks.
By the time I got to Harvard, I feel like I knew who I was, and my job there was to throw as much against the wall as possible, to see what would stick.
Follow Through is elegant, sure footed, smart—a nest of sticks that won’t stay sticks—a nest of sticks that snowballs—scary and marvelous.
When I'm making the music, I feel like everything I throw out has to work. It counts. Because if you don't have people turning they neck all the way around to see what it is, it ain't stick on the wall.
I used to throw a lot of stuff against the wall, just to see what ended up sticking; now I'm pretty much using everything that I create for a record.