A Quote by Paige

Any time I have a promo with him - and I like R-Truth, too - but I always have the best chemistry with Miz. We really don't stay on script perfectly. We kind of bounce off each other... He is the one I paid attention to when it came to promos. He helped me so much along the way with backstage segments.
Miz & Morrison, 'The Greatest Tag Team of the 21st Century,' was fun because Miz and I have great comedic chemistry for backstage segments and our Internet show, 'The Dirt Sheet.'
The first time that somebody handed me a sheet of paper with a promo on it, it was like a 'throw up in your mouth' kind of moment. And it's not, like, their fault, you know? It's not the writers' fault. But if was my world, there would be no written promos; there'd be no scripts.
In general, I don't really think too much about pacing, myself. You kind of look at each script and what each script demands.
Miz and I have known each other for a long time, and we really know, like, how to get at each other's nerves.
I've always been me. The last three weeks of my career, I've cut some of the best promos I've ever cut, and I do consider myself to be a promo guy.
We would be glad to have your friend come here to study, but tell him that we teach Chemistry here and not Agricultural Chemistry, nor any other special kind of chemistry. ... We teach Chemistry.
I always knew where I was going eventually, so it helped me to stay at home for three years. It helped me to develop my game. But it also helped me off the ice. Life here is way different, and I was able to get older.
Dialogue is really aimed at going into the whole thought process and changing the way the thought process occurs collectively. We haven't really paid much attention to thought as a process. We have engaged in thoughts, put we have only paid attention to the content, not to the process. Why does thought require attention? Everything requires attention, really. If we ran machines without paying attention to them, they would break down. Our thought, too, is a process, and it requires attention, otherwise its going to go wrong.
Some men can be very rude. On the other hand, some clients are absolute angels. One john always brought me a gift every time he came to see me. He brought me a pearl necklace, a ring, a bra or something. But eventually, as much as I really loved all the gifts, he fell in love with me, and he tried to weasel his way into my life. It was too much and I sort of had to 'break up with him."
It's amazing seeing all the people that have helped you get to where you are. All the coaches, all the camps. Your parents, family members. I mean everybody who's invested in you. And it's really - it's really neat to see that all of their sacrifices to help you have paid off. And that now you can continue to help other people along the way.
Is it needy? It's not. We don't need each other. We just really, really enjoy each other. And we're good together. We're good people together. And I have the funniest feeling. I can really, truly touch this all, this happiness and the sadness too, I can trace all of it with my fingers. It isn't theoretical or distant. This feels like me. This is me. I love him, and, for the first time in a relationship, I also like me. Every time he says "I love you," I answer, "I believe you.
One game that drives me crazy, is when a guy gives the girl they really like more attention, and then they feel like maybe they pressed too hard, so they back way off and start giving other women attention. I've never pulled this myself.
Nashville has always felt perfect. I don't think Third Man Records could exist in any other town that I know of in America. Anything smaller or larger than the size of Nashville, and also the music - the attention that's paid to music in that town is sort of the right kind. It's not too hipster and it's not too fake; it's something in the middle, which is really good ground for a place like Third Man Records, that aims to be genre-less. It's great to be able to have that kind of access.
At the time - but we've since made amends - James Franco and I really didn't get along. When we were on 'Freaks and Geeks,' we were 19, and we really, really disliked each other. He shoved me to the ground once; it was really brutal. We're friends now, and we really like each other now as adults - but as kids, we did not get along.
I search my brain for the truth. “I want it more than anything, just as long as you promise me one thing.” “And what’s that?” “That if at any time it gets to be too much for you, you’ll leave me—walk away and get out.” “That will never happen,” he guarantees me. “You need to give me some credit. You left me, ripped out my heart, and then came back acting like a robot, and you know what? We made it through. You and I, good or bad, belong together. We make each other whole.
When I started off with Trainspotting, it was the way the characters came to me. That's how they sounded to me. It seemed pretentious to sound any other way. I wasn't making any kind of political statement.
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