A Quote by Paige Spiranac

My strength is short game. I love the creative side to it. You can hit a wedge a million different ways. The flop is my fave. — © Paige Spiranac
My strength is short game. I love the creative side to it. You can hit a wedge a million different ways. The flop is my fave.
You can say your lines a million different ways and play your character a million different ways and still hit the common, agreed-upon finish line.
Some players like to change clubs around the green to hit high or low shots. I play all of my short-game shots with my 54-degree sand wedge and change my ball position to hit it higher or lower. I think it's easier to learn one club than four.
This whole game of hit and flops will always be there and I have survived because I am hit. I think industry works on hit and flop.
In golf, a wedge issue means just that: You can't hit your sand wedge, or your lob wedge needs to be regrooved. In politics, a wedge issue is more serious still: It's one that splits the electorate, dividing voters along ideological fault lines.
All these directors who do different locations forget that one room can be shot from a million different angles and a million different ways. When I direct a movie, I'm going to use that.
I feel that, irrespective of a hit or flop, there's always pressure on an actor. When you give a flop, there's a pressure to ensure that the next film works, and when you give a hit, you want to keep it going. So, the pressure of success and failure is always there, and that's what keeps me going.
I try to say I love you in a million different ways. That's what I aspire to do. That's what I do best.
I'm influenced in a million different ways by a million songs that I've heard and digested.
What you really have to do, if you want to be creative, is to unlearn all the teasing and censoring that you've experienced throughout your life. If you are truly a creative person, you know that feeling insecure and lonely is par for the course. You can't have it both ways: You can't be creative and conform, too. You have to recognize that what makes you different also makes you creative.
I'd say 230 yards off the tee is my average. Short game is a strength. I don't three-putt often. Actually, I'd say my mental game is probably the best. I'm very good at staying positive and focused on my game.
I seldom speak on songs, as in when people ask me for fave songs. I really have only fave parts.
I feel usually the strength of my game is my driving, and over the past - even since I was in college and everything, my short game has been the thing that's let me down.
I know there's a creative side to artists to - pardon me - there's a creative side to scientists already, but there may be an artistic side, too, waiting to break free.
A good edit process turns rocks into diamonds, and every author should love that part as much as the creative phase. I do love it. It's a different side to writing. It's like the fine-tuning.
I try to stay true to my style, and I understand the foundation of my style and where it came from. But at the same time, you take that experience and learn different ways to write, different ways to turn on that creative energy.
Anytime you hit a curve, or you hit on the side of the wall, you hit against the side of the sled. We're taking four to five, sometimes six or seven Gs on our body every time we go down the track. And then the crashing.
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