A Quote by Paloma Faith

When you're on the pop treadmill, you don't always feel that cool because you have to do things to promote the record that aren't necessarily your environment. — © Paloma Faith
When you're on the pop treadmill, you don't always feel that cool because you have to do things to promote the record that aren't necessarily your environment.
As far as skincare goes, I'm from the school of 'you are what you eat.' I always promote a vegan lifestyle, not just because it's great for our environment and for humanity, but because if you cut out dairy, for example, there's scientific proof that it can actually help your complexion.
I've always wanted to write pop music. I never wanted to be cool or make a hipster record.
I think there's something antagonistic about bedroom pop. We're reappropriating pop and saying you don't have to be an ex-Disney star to make pop music. You can be from Shepherd's Bush and have spent most of your life listening to the Smiths and still make a pop record.
It's cool to be in your feelings, and it's cool to be sad, and it's cool to feel all of these things.
I think 'pop' can be a bit of a dirty word. People are very cool in Australia. They don't like to admit that they like pop. There are people who listen to Triple J and cool stuff like that, but commercial radio is massive, and if you look at the sales of the pop songs every week, people love pop music.
If you're recording the song on your four-track in your kitchen, when you finished writing the song, you're recording, and it's cool, and honor that. And maybe that's the version that should be released. And if you're recording the song again, it shouldn't be because there's a version you love that you're chasing. It should be because "You know what? I made a recording, but I don't love it emotionally." So, okay, then record again. And be in it and take advantage of the buzz and energy of "I'm getting to record right now!" It's such a beautiful and cool privilege.
I won't necessarily make new music because when you make a record there are these great expectations on the side of the record company who are going to produce your record, promoters that are going to do your shows. They want you to do interviews, they want you to play shows. I mean, they want it to be a campaign.
I always wanted to have a young female artist that would tell me the truth about life and not only talk about the good things or the things that were exciting or interesting but also talk about the things that people in general are skeptical to talk about- the bad things that do happen. A good 50% of our lives is things that are happening that we're not necessarily super thrilled about and I feel like that's missing from pop music a lot of the time so my main goal is to be truthful about everything and not just specific things.
Just because your environment or living space changes doesn't mean that your attitude necessarily has to change.
I just kinda like playing. I don't necessarily go on tour to promote my albums. I'm on the road all the time. The fact that I have a new record is out is a coincidence.
Your memories are eroding away. The futures you anticipate, will mostly not come to pass, and the real richness is in the moment. And it's not necessarily some kind of 'Be Here Now' feel-good thing because it doesn't always feel good. But it always feels. It is a domain of feeling. It's primary.
There's a lot of things that I don't promote and I do promote mescaline. They open places in your mind that other things don't and if you're smiling, why not?
It's not my concern to make a commercial pop record. I want to make a record of music that I would listen to, that is lyrically rich and has songs that people can relate to - more along the Jakob Dylan route: people who create for the art of it and not necessarily the monetary rewards of it.
I think there's a curiosity that can make you feel anxious as to what the world's going to make of what you're doing. It's not necessarily what you're going to get back in terms of record reviews or how people talk about your record, it's getting on the road and playing the new songs live.
The guys that do have the confidence to hit on me are not necessarily my type, but they think they are because I'm a pop star; I sing songs, do movies. I like to feel sexy and confident on stage.
I don't run on the treadmill, because there's no treadmill moving for you on the soccer field.
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