A Quote by Paloma Faith

I love interesting people with eccentric stories and outsiders of the world. — © Paloma Faith
I love interesting people with eccentric stories and outsiders of the world.
There are times I wish I didn't have a job, even though I love my job: I get to work with interesting, eccentric colleagues and equally interesting and eccentric subject matter, both of which are rarities. But, naturally, I would treasure having more freedom someday: of time and of movement. Will I always have a full-time job? I don't know. But I do know that I need to spend at least part of my week in an office, with other people.
I feel very privileged to hear how somebody used to run around stickin' people up and stealing cars, and now they're gettin' their life back together... I just love the stories. The stories of the fallen world, they excite us. That's the interesting stuff.
The 'X-Men' stories are the stories of outsiders: people who don't fit into normal society and are ostracised; it's a metaphor for gender, race, or sexual orientation.
I really relate to outsider characters. Especially the eccentric, lunatic weirdos like Alfred Hitchcock, Viktor Navorski in The Terminal, or the Anvil guys. Everything I've done is about these quite eccentric, exotic outsiders who you might see in a certain light at first, but once you scratch the surface a little, you realize that they're not that different from you. I think there's an element of that which unites.
Digression is my passion. I'm not kidding. I love telling the main stories, but in some ways, what I love most is using those narratives as a way of stringing together the interesting stories that people have kind of forgotten and that are kind of surprising.
I've got the best job in the world; I love it. I get to meet so many interesting people, and I get to make sure that other people with disabilities can tell their own stories as well.
People love to talk about the things that are important to them, but oftentimes as a journalist, if you're entering a world that's pretty esoteric and difficult to penetrate and has many barriers to outsiders, then the people inside that world just don't have the same language as you do.
If your dream is to tell stories, interesting stories, play interesting people, that's the bottom line. The people that I play have to be extraordinary.
The world is not a courtroom There is no judge no jury no plaintiff. This is a caravan filled with eccentric beings telling wondrous stories about God.
I think love is one of the most elusive things in the world. I don't know that there's a perfect formula for it and that's what makes the stories interesting.
I'm definitely drawn to stories about outsiders. Feeling like that myself as a gay black man, I often seek to give a voice to those in the world who don't have one.
People love stories; they use stories to make sense of the world.
At first, I did stories on people who were maybe just eccentric. Omar was a natural progression from that.
Digression is my passion. I love telling the main stories, but in some ways, what I love most is using those narratives as a way of stringing together the interesting stories that people have kind of forgotten, and that are kind of surprising. The problem is, how do you pare stories away so that the book doesn't become a distracting jumble of material, and readers lose focus? In my experience, there's really only one way to do that. I pack it all in with the rough draft, then count on myself and my trusted readers to tell me what's good and what's not good.
In New York City there are interesting characters and there are interesting stories. There's a story on every street corner. I love it. I think that's what really attracts me to making films.
What am I in most people's eyes? A nonentity or an eccentric and disagreeable man... I should want my work to show what is in the heart of such an eccentric, of such a nobody.
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