A Quote by Pam Grier
Coming from the '50s, things were very violent.
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Coming from the '50s, things were very violent. We were still being lynched. If I drove down through the South with my mother, I might not make it through one state without being bullied or harassed. I feel like unless you've been black for a week, you don't know.
The only place where you could see life and death, i. e., violent death now that the wars were over, was in the bull ring and I wanted very much to go to Spain where I could study it. I was trying to learn to write, commencing with the simplest things, and one of the simplest things of all and the most fundamental is violent death.
I like to shoot beautiful things. My two previous movies were one in the '60s, the other one in the '50s, and this one is in the '20s. This is a period that's very cinegenic. The cars, the props, the suits, the haircuts, the dresses, everything, and it gives you pleasure to compose frames with that material. The music, I really love jazz, so for me, when you have good materials and nice things, it's very pleasant.
I think Hollywood has gone in a disastrous path. It's terrible. The years of cinema that were great were the '30s, '40s, not so much the '50s...but then the foreign films took over and it was a great age of cinema as American directors were influenced by them and that fueled the '50s and '60s and '70s.
I was raised in Washington, DC, very violent place. I grew up with violence. My introduction to music was violent. The years I've spent on tours, some of that was extremely violent.
Maybe the '50s and '60s were more awkward because everyone knew there were things under the surface, but no one talked about them.
We didn't have practical model rockets in the '50s. The ones we made were very dangerous and the kids that played with them didn't have all their fingers, and sometimes were blind in one eye.
Love is also a very violent thing. Totally violent. Suddenly, you are, like, at this party your friends invite you to, and you meet this person, and your life is turned upside down, and the next day you can't stop thinking about them. That's violent. Hopefully, it's for the better, but it's a violent thing.
There are now grandmothers and grandfathers coming to see us because they are of that age, they grew up in the '50s and '60s and they bring their sons and their daughters to hear the songs they heard when they were young.
I'm not a big fan of violent movies, it's not something I like to watch. And it's not my aim or goal to make a violent movie. My characters are very important, so when I'm trying to depict a certain character in my movie, if my character is violent, it will be expressed that way in the film. You cannot really deny what a character is about. To repeat, my movie end up becoming violent, but I don't start with the intent of making violent movies.
There were a lot of things in it that were important at the time to me. Cutter's Way movie was very relevant. And I wanted Cutter to succeed as a vet, as a guy coming back from 'Nam, because there were so many guys like that. And there were so many other movies at the time, like Apocalypse Now, Coming Home, and The Deer Hunter, that it was really important that the movie be believable, that I come across a pissed-off vet who'd been there and comes home angry.
This is a very violent place to live, the Earth, and we're a very violent species. Cain is still killing Abel. We see that every day.
My '50s were different than other people's '50s. The myth didn't permeate our world, 'Donna Reed' and all that. I longed for that, I wanted to be like other normal families on TV.
To be very honest with you, there were two big factors: One was that we were initially coming out in that week before Thanksgiving where both Twilight 3D and Happy Feet 2 are coming out.
I think that certainly the artists of the '40s, '50s and '60s were fighting a very conformist society, which didn't give them enough space to live or create, and they were bucking all kinds of spoken and unspoken rules.
Coming from a sort of very rigid European type of training to this culture which is just a little more open - a lot more open, and kind of curious, and asking different sorts of questions.Because the problem for me was that the European modernist movement in the '70s was all about right or wrong. Some things were right and you were dealing with the truth, as it were, and then some things were wrong and therefore not allowed.
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