A Quote by Pam Grier

I want to direct and work with the youngins and the fabulous actors of today. — © Pam Grier
I want to direct and work with the youngins and the fabulous actors of today.
I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
To direct actors is difficult. To direct actors in another language is more difficult, but directing non-actors in another language is one of the craziest things that I have done and one of the most rewarding experiences I have had.
I know in Britain with 'Doctor Who' all the classic actors, and the people who you'd really want to, work on the show. I like that the fact that 'Torchwood' has actors that want to be involved from the stage. It has raised our game, and I'm just happy for good actors who want to be in sci-fi shows who love the genre.
Actors want to work with you but they want you to do their thing. Actors, whom I love with a blind partiality, sometimes they want to be soloists in the symphony, not a part of the orchestra.
A good director creates a playground for actors, and lets them go. The trick for a good director is in casting properly, and creating the playroom, and then they'll get stuff that they don't expect, and can't even direct. All the audience wants to believe is that whatever is happening, it is happening for the first time. They want to see the people within the work exchanging dialogue and action in that moment. There are not a lot of actors that can do that.
Im now projecting my career in a totally different direction. I am going to work less-way less. And I want to work better. I want to direct again, I want to do more theatre, and I want to do exactly those movies that I want to do.
I do not know if it is true that all actors want to direct and all directors want to act, but in 1972 I tried directing and decided I had better stick to acting.
When I work, I'm the actor. I'm going to do my job. I'm not going to direct the movie. If I wanted to direct it, I would direct it. I wanted J.J. Abrams to direct Mission: Impossible. I work with people that I respect. I expect them to do their jobs, and I will do mine. And I am there as a producer to help in any way, but no one makes a movie by themselves. It's a collaboration.
I try to direct myself the way I direct the other actors who come on my show.
I know a lot of actors who have said to me, 'who'd have thought you could put a two-shot on screen for twenty minutes and people would be absolutely locked in, how does that work?' Well it does work, when the story is great and you've got these fabulous twists and turns - so those are my favorite bits!
Method actors are absolutely terrible. They want to direct themselves, and it's a disaster.
When I write something, I want the best director to direct it. And that's not going to be me. So when David Fincher comes along and wants to direct 'The Social Network,' when Bennett Miller comes along and wants to direct 'Moneyball,' or when Danny Boyle wants to direct 'Jobs'? Hallelujah. I want them directing it.
There are so many young talented actors today whose work I respect and admire - Ryan Gosling is probably primary among them. I take inspiration from so many amazing actors.
I don't work from drawings and colour sketches into a final painting. Painting, I think, today - the more immediate, the more direct - the greater the possibilities of making a direct - of making a statement.
I want to be one of the youngest actors ever to direct a feature. That would be a nice thing to hear. It might prove to be a bigger challenge than I can take, but that's the career I want, like George Clooney.
Actors do want to work with me and I'm very grateful for that, but you never know. I could write parts for them that they don't want to play and then all of the sudden they don't want to work with you that much.
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