A Quote by Pam Shriver

I've learned to really appreciate the courtside position and the art of picking up certain subtleties. Player expression you can't see from a camera angle, or the booth. — © Pam Shriver
I've learned to really appreciate the courtside position and the art of picking up certain subtleties. Player expression you can't see from a camera angle, or the booth.
It's the angle that shows how we see differently. I have always believed that all documentaries are fictional. It's really the angle of the camera, the owner of the perception, that makes the story what it is. The video camera is a fiction.
I got a unicorn horn on my head once. I said, "Can you really see that on camera?" My producer said, "You can see it from space." I would have to angle my head a certain way so that I didn't look misshapen on camera.
When considering a candidate for office, almost right up until they enter the polling booth and sometimes even in the booth itself, most voters rely more on what they see and hear themselves in real time than on facts, history, logic, or learned experience.
I definitely use "smiling while rapping" as a tool in the booth. I want to have fun while recording. At times it can get tedious and stressful when it's not sounding the way you heard it in your head, but you've got to remember to just smile and appreciate the fact that you're even in the booth and there are people who want to hear your art.
Michael Moore and I actually have a lot in common. We both appreciate living in a country where there's free expression. But Michael, if you ever show up at my front door with a camera, I'll kill you. I mean it.
The average player would rather play than watch. Those who don't play can't possibly appreciate the subtleties of the game. Trying to get their attention with golf is like selling Shakespeare in the neighbourhood saloon.
You've gotta understand camera angles, camera movement - a kick that may not be very powerful may look very powerful from a certain angle.
Photography is unlike any other art form. In the other arts there is always a continuous interplay between the artist and his art. He has the painting or sculpture before him. What we have tried to do is to provide a medium for "artistic expression" to anyone with only a reasonable amount of time. By giving him a camera system with which he need only control his selection of focus, composition and lighting, we free him to select the moment and to criticize immediately what he has done. We enable him to see what else he wants to do on the basis of what he has just learned.
Slowly I discovered the secret of my art. It consists of a meditation on nature, on the expression of a dream which is always inspired by reality. With more involvement and regularity, I learned to push each study in a certain direction. Little by little the notion that painting is a means of expression asserted itself, and that one can express the same thing in several ways. Exactitude is not truth, Delacroix liked to say.
The funny thing about being creative is that, especially high school people, I kept noticing I'd always go to these certain materials. I'd always be picking up trash and picking up paper and using it.
I'd really rather leave it to others to say what they see in it and to see if I've put something into my photographs beyond a mere recording. Yes, I've chosen the camera position, how I'm going to print the negative, the angel of the lens, what I'm going to include and exclude in the composition, so on and so forth. But, I'm still photographing a work of art, and I would rather leave it to others to comment on my work, as I just left it to you.
Stand-up is an art but since it's humor and it's funny - a lot of guys that don't think it's art are probably coming from the angle that they don't want to take it so seriously. I've always looked at it as an art but I don't look at it as a pretentious art. I understand it has to be taken lightly because it is just comedy in the end, but the good stand-up comics are someone with something to say.
I appreciate it when supporters throw themselves behind the team, and I'm sure for them, they appreciate it when they see a player who is going to give everything he can of himself for the club.
It wasn't like I picked a camera up in 1989 and stopped making music. I picked a camera up and found another form of expression.
There is no right or wrong angle for something. The idea of putting the camera in an unfamiliar position is simply to do with film language. Sometimes it is spectacular, sometimes it is ugly, sometimes it is uninteresting.
Doing the sword fighting is like picking up a dance routine... I think dancing really helps with the picking up of it.
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