A Quote by Pamela Adlon
I'm more of somebody who'll bend over backwards for people and, you know, wait at the back of the line until everybody's taken care of. That's really my nature.
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We don't know where the lines should be drawn. Which to me means that we people of goodwill have to bend over backwards to be scrupulous, to be exceedingly careful about code words, about messages, so as not to inflame the evil angels in our nature, if you will.
Nature has been taken over by thugs who care absolutely nothing about it. We need to take nature back.
Don't wait until there is tragedy in your life. Don't wait until you lose somebody. Don't wait until it's too late. Appreciate the beautiful people that you have in your life now.
I'm just going about my business. Am I going to bend over backwards to assure everybody that I'm a good guy? No, I'm not going to do it.
In my mind the job of a natural scientist is to bend over backwards to say something which can be demonstrated to be true or at least which is not of such a nature that there's no way to demonstrate that it's false.
I don't make people bend over backwards, and I don't like that in people. I am definitely no diva.
I think in a post-9/11 world, with the images coming back from Iraq, everybody knows more and more people who are going over there... the images on the YouTube phenomenon where the violence is so immediate. Direct people need something stronger to respond to. I think that there's definitely a wave of directors - who are labelled the splat pack - who really, really care about making great scary movies.
People who sit back and wait for somebody to take care of them are the people that if shown a way, can be useful to our society.
Time is not a line but a dimension, like the dimensions of space. If you can bend space you can bend time also, and if you knew enough and could move faster than light you could travel backwards in time and exist in two places at once.
When I'm recording, which is synonymous with writing, I'll play things over and over again until it sounds like I've got the right guitar part. Whereas I think, as the much younger player I tended to do things much more consciously. I didn't wait for the moment where inspiration might strike. That's what I do now. I wait for it to naturally start to replay itself in my mind. As I say, I don't force it. So I like to think of myself as a receiver. I'm a telephone line to who knows where, but until I hear it through that receiver, I don't usually do it. It's got to start writing itself somehow.
You can use the [Barack] Obama administration as a recent example. For seven years they've been unopposed. The Republican Party's not trying to stop 'em on a single thing. Much of Obama's agenda has been a success. He has been able to attack various traditions, institutions, and taken over the health care system in this country. They've taken over the student loan, they've taken over the education system, and everybody in it is miserable and unhappy.
One day I'd like to show what I can do as a coach in Germany. But I won't bend over backwards for a job in the Bundesliga and lock myself in my house for 24 hours just to win other people's approval.
I really care about what I put out, and probably more than the fans care. At times, I think I over-care. But I just know that the body of work has such a high standard that it's kind of like, in my own head, I need to at least match it if not get over that, so that's the challenge.
The image people have of comedians staring defiantly over a stationary line of good taste is simply inaccurate. We don't approach this line, put our toes over it arrogantly and then scamper back to safety. The line doesn't exist.
Do you know I had the best time on 'Loose Women' and I'm very, very fond of the show still. I know everybody who's on it and it's a great open door to go back if I need to. Everybody on there is lovely and I've got a great relationship with them - the new ones and the old ones. It's been a big part of my life over the years, so it's nice I can nip back. I do miss everybody on it, but we're all on What'sApp, so I know what everybody is up to.
I think festivals are way more easygoing than back-to-back tours are. 'Cause for me, when you get to go to a festival, you get to hang out all day, and you're really taken care of, and there's usually a little artist village where all the artists have their own tents, and it's catered, and then you go and play an hour-long set depending on where you are on the lineup. And then you go back and you hang out and you even get to go watch other artists play. So it's really just a fun interactive experience for everybody.
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