A Quote by Pamela Adlon
They would call me 'The Cleaner' because I would replace boys who were real adolescents, and their voices completely changed, and they couldn't do the voices anymore.
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And I like a good horror story as much as the next person so long as they kill off some men too and not just girls. But the voices Joan heard were real. There’s clear and substantiated proof they were real. She won battles that would otherwise have been lost because of what those voices told her in advance of them allowing the French generals to strategize in ways completely different than they did before Joan came along. People’s lives were saved because of what those voices told her.
For its part, Government will listen. We will strive to listen in new ways - to the voices of quiet anguish, to voices that speak without words, the voices of the heart, to the injured voices, and the anxious voices, and the voices that have despaired of being heard.
In this age of censorship, I mourn the loss of books that will never be written, I mourn the voices that will be silenced-writers' voices, teachers' voices, students' voices-and all because of fear.
I am completely turning into my mom. Me, trying to be stern, is her. Or when I make silly voices. My mom always uses weird voices if she's talking to a kid or a dog. I'm the same person - completely my mother.
There's a lot of magic in voices. I love voices that are very old, very gravelly, very deep. I like metallic voices; I like velvety voices. The voices of children.
When I was a kid I did impressions and funny voices a lot. When I was telling a story I would use the voices to make it more entertaining.
I like Adele, Mika, Natacha Atlas and a beautiful old record, 'An Evening with Belafonte/Mouskouri,' starring Harry Belafonte and Nana Mouskouri. What they have in common is they all have incredible voices. I am very much into voices. I would say I'm a fan of voices, not of sound. I'm a fan of singers, not of bands.
In a thousand voices singing the Hallelujah Chorus in Handel's "Messiah," it is possible to distinguish the leading voices, but the differences of training and cultivation between them and the voices in the chorus, are lost in the unity of purpose and in the fact that they are all human voices lifted by a high motive.
I feel like there's so many voices, and it's necessary for there to be a lot of different voices because we can't all like the same art. That would just be so boring... If anybody wants to hear it, I'm here. It makes for a more interesting world for there to be more than one kind of singer.
Particularly in television, we can stereotype ourselves. You realize that we all have a lot of voices in our head. We have angry voices, we have voices of doubt, and we have moments of strength.
I am very much into voices. I would say I'm a fan of voices, not of sound. I'm a fan of singers, not of bands.
Every once in a while, I hear somebody call me Tracy to try to let me know that they know me, you know, personally. But most of my real friends will call me Trey, or 'Ice' was basically short for Iceberg. So they would call me - some of my boys call me Berg.
BMX riding breaks down racial perceptions. Coming from New York City and being a BMX rider, that isn't something that's too common. I feel like for the longest time, I would ride through certain neighborhoods and people would call me a "white boy" because they associated white boys from California with BMX riding, and it bugs me so much because I'm completely not that. I completely don't fit that mold. It's really important for me to bring BMX riding to the masses and show people exactly what it is.
I would mimic what I saw in Grease and Guys and Dolls in front of my mom's mirror and I would practice voices and songs. When you put me alone in a room, that's what I would do.
My dad got into this group, Commission, with Fred Hammond, and that was my biggest gospel memory. I would hear that all the time, and listening to their voices helped me develop my voice because I would try to emulate them as a kid. It taught me tone, and it gave me a balance.
Listen to the triple fugue in 'Magnificat' - the first subject is seven voices, the second one has 52 different voices, the third uses five; then I combine all together. Such textures you cannot call primitive.
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