A Quote by Pamela Anderson
When I'm lonely, frustrated or hurt it usually comes from a male person and from unrequited love. I often carry that pain around with me and my ribs actually start to ache. That's when I sit down and write.
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I carry around, like, a little journal with me and just write all the time. Not necessarily, like, actually sitting down and writing lyrics - just freeform writing, whatever's going on in my mind. I write a lot on airplanes, actually, because it's completely isolating.
Unrequited love may be painful, but it is safely painful, because it does not involve inflicting damage on anyone but oneself, a private pain that is as bittersweet as it is self-induced. But as soon as love is reciprocated, one must be prepared to give up the passivity of simply being hurt and take on the responsibility of perpetrating hurt oneself.
I'm a human being just like you are. And I hurt and love just like everybody else, and people tend to forget that. I think I'm one of the friendliest celebrities around, because I'll stop to talk to anybody who recognizes me. I don't have a negative bone in my body. That's why I could care less about any gossip. It doesn't interest me. I'd rather sit down and write a song.
When I first started to learn to run the ropes, that was really painful for me: it's just cable wire wrapped in tape. It bruised my ribs so bad, it hurt to be hugged; it hurt to lay down.
The best way to learn to write is to read in the genre you might be interested in; then, you need to actually sit down and write. In a lot of cases, the first book you write will not get published. Do not get hung up on that. Start a second book.
When you get older, your health becomes important to you, things start breaking down, you've always got a different ache or pain.
The key is just to ignore the pain, because physical comedy only works if you see someone get hurt and they aren't actually hurt. If someone gets hit in the face with a bat, falls down, and gets back up, it's funny. If they stay down and their jaw is wired shut in the next scene, it's really tragic and weird. You have to pretend it doesn't hurt.
Oh… God. What was a male supposed to do in this situation? "I'm sorry," he muttered. "If I… uh, hurt your feelings or something." She glared at him. "I'm not hurt. I'm pissed off and sexually frustrated.
For me, a place unvisited is like an unrequited love. A dull ache that- try as you might to think it away, to convince yourself that she really wasn't the right country for you- just won't leave you in peace.
It was Adam, but he was too late. He couldn’t love me anymore. He would be so angry with me. I had to hide. He didn’t love me so he might hurt me when he was angry. When he calmed down, that would hurt him. I didn’t want him hurting because of me. There was nowhere for a person to hide. So I wouldn’t be a person. My eyes fell on the shelves that lined the far back corner. A coyote could hide there.
I was a heavy heart to carry
My beloved was weighed down
My arms around his neck
My fingers laced to crown.
I was a heavy heart to carry
My feet dragged across ground
And he took me to the river
Where he slowly let me drown
My love has concrete feet
My love's an iron ball
Wrapped around your ankles
Over the waterfall
My writing isn't actually guided by issues. I know it seems that way, but I don't sit down and think, Oh, there's this issue I'm bothered about. I only write about things that directly impact my life. When I write, there's a pain that I have to reach, and a release I have to work toward for myself. So it's really a question of the particular emotional circumstance that I want to express, a character that appears, a moment in time, and then I write the play backwards.
As much as I do love real-life stories they can often make you hurt in a way I'd rather not hurt. . . . For some reason, it's always the pain that gets you.
I can sit in my room and write a song that I think might be a hit. I can sort of make myself do that, and then I'll play it to a friend, and they'll say, 'Oh, that's nice.' But when something happens to me, and I sit down and write a song to get rid of my emotions, they'll turn around and say, 'Wow, that's great.'
I'll hear a phrase around me that someone says... I'll write it down in my notebook, and as soon as I'll sit down with my guitar, I'll come up with the rest of the arrangement there.
I don't sit down to write a country song. I don't sit down to write a rap song. I just sit down to write a song, you know what I mean? And I try to make that song the best it can be.
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