A Quote by Pamela Anderson

When I did TV shows and movies, the studios did demographic research. They were shocked to find that my audience isn't just men who are too drunk to turn off the TV after football. It's women, too. I don't know exactly why, other than that I've tried to remain true to myself for all these years. I have gone through a lot, and I've been open about it. Maybe they look at me and can see how you can grow up, have children, continue to be sexy, get married and divorced and, though you grew up poor, live the American dream. I'm very blessed. I'm happy for it all.
There were very few TV sets when I grew up... We could not see matches and did not know too many players. Only Pele was a household name and he was the one most children idolised.
I grew up in Le Mars, Iowa, and even though it's a great place to grow up and be raised as a kid, there wasn't a lot to do. It was fairly boring, and I think the way I either escaped the boredom or found a way to keep myself occupied was through movies and TV shows.
Where I grew up, acting wasn't really accessible. I was just playing sports. But, I did watch a lot of TV. I watched a lot of Clint Eastwood movies on TV and had this fantasy of being like him when I grew up.
Not to get too deep, but I was brought up by these women who if you wanted to label them, maybe they were feminists, but you know what? They never asked for that or wanted it and they never got up on a soapbox and spoke about it, they just did it. They did their work, they did their jobs, they were who they were.
I grew up completely overwhelmed by TV, and part of the reason why I have gone into television is as a way to justify to myself all those wasted hours of watching TV as a kid. I can now look back and say, 'Oh, that was research.'
Movies cost so much that studios really try to impose their personality over yours. A lot of times, you can get swallowed up in that and end up making movies that are indistinguishable from anybody else's. One of the things I've always tried to do is to inject myself as much as possible into the movie, so I feel like it's mine. But that also comes from what you choose to do and what you choose not to do. There are certain projects I could have said yes to, and I know exactly how they would have turned out: exactly the way they turned out when someone else did them.
That's very, very important to me, to give another narrative. And Netflix has not been afraid of doing that, as we see from the plethora of shows that they have, from British shows to American shows like 'Master of None,' which I've been very grateful to be on, too. Just giving platforms to people who haven't seen themselves on TV.
TV shows are great right now in America. I find myself - and I hate to admit it - but we watch more TV than we go to the movies. As a creative person, you want to be creative, you know? You don't want to constantly wait around - a lot of movies fall apart, or there's just not as much out there as there used to be. Or there are more actors. I don't know. But movie stars are doing TV. And when they're asked about it, they say they love it. Dustin Hoffman, Glenn Close. So it can't be that bad.
We have a lot of American TV in Australia. I grew up watching 'Seinfeld,' 'The Simpsons' and those prime time TV shows over the years that feature grown-ups and high school kids. We had a saturation of American voices.
The only two TV shows I saw do that, where they don't warm them up and you can really bomb, was Saturday Night Live - and that's why it gets a lot of heat, too. Obviously it gets criticism fairly, too. But a lot of it is because Lorne [Michaels] lets the audience decide and doesn't force them to laugh.
I did several shows with Jimi Hendrix, that's when I got to know him better, I knew of him, I met him [when he was playing] with Little Richard... And he was kind of quiet, shy, he didn't open up too much, but there were questions as we all ask each other. You know, "how do you do this" and "why do you do that..." We had very small discussions on things like that. And he was very polite, I thought [he was] a very nice guy.
I like to tell myself people look at me for all sorts of reasons. Maybe they're staring because they're shocked or maybe they recognise me from TV, or maybe they just like my shoes - especially women, because we all look at each other's clothes and hair.
Being broke and poor - I mean, you grow up in the environment I grew up in, grew up hard and grew up poor. Your mom doesn't have a car until you make it to the NBA... no telephone. So, I mean, if you grow up like that, and you're able to make it to this level and be blessed the way I've been blessed, it's always great to give back.
It's odd, because 'Mad Men' was the first long-form TV thing I ever did. I'd done loads of independent movies, but after that, it was 'TV actor.' You go, 'When did that happen? Everything else has been erased?'
I think there's definitely much more opportunities for women now to find a role in 30s and 40s both. I think you're starting to find people really seeing that - here's the thing. It's hard for me to say and know the experience how it was ten, twenty years ago because I was only in my teens and my 20s, but I know from watching TV myself and watching film myself I see a lot more 30s and 40s on screen, which just makes me very, very happy. It's what we should be watching.
I don't know too many people who, when the TV announcer says, 'Viewer discretion is advised', then turn the TV off. Those are code words for, 'Turn the sound up; this is gonna be really good.'
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