A Quote by Pamela Druckerman

Although I wrote a book about infidelity around the world, I ended up concluding that fidelity is quite a good idea. — © Pamela Druckerman
Although I wrote a book about infidelity around the world, I ended up concluding that fidelity is quite a good idea.
The idea of a physical stigma is quite appealing. When I wrote the book of 'Bodies,' there was a lot of that in the book about how there are physical manifestations of psychological problems - I think it's described as 'Narrativizing The Body.'
The biggest idea that I have learned - I basically went in to write a book about Adam and Eve, ended up writing a book about love. And what did I learn? Love is a story you tell with another person.
I thought deeply about this. I ended up concluding that the worst thing that could possibly happen as we get big and as we get a little more influence in the world is if we change our core values and start letting it slide, I can't do that. I'd rather quit.
The dream of romantic love is taken more seriously in North America than it is anywhere else in the world, which is why we believe in fidelity and why we believe in infidelity as well. It is also, of course, what makes our divorce rate as high as it is. Falling in love at first sight and instant gratification are part of the world in which we live, so there are people who believe adamantly in fidelity. They just don't believe in it for long.
My mother wrote a book. Unfortunately, it ended up being published posthumously. But I'm glad she did, because it taught me a lot about my family that, otherwise, I probably wouldn't know.
For most of us, fidelity is faithfulness to an obligation, trust, or duty. For the men and women of the FBI, fidelity also means fidelity to country. It means fidelity to justice and the law, fidelity to the Constitution, fidelity to equality and liberty.
My mother had died when I wrote my first book. I was twenty-seven, so it was right at the beginning of my writing life. I don't know if she had lived, if I would have done it, certainly not quite like I did. But, you can't rethink it. You wrote what you wrote, it meant something to other people, and that's your good.
Before I wrote The Power of Now, I had a vision that I had already written the book and that it was affecting the world. I had a sense there was already a book somehow in existence. I drew a circle on a piece of paper and it said "book." Then I wrote something about the effect the book had on the world, how it influenced my life and other people's lives, and how it came to be translated into many languages affecting hundreds of thousands of people.
I met a guy who had the same theory and wrote a book about it. His name is Walter C. Wright Jr. His book is called Gravity Is a Push. I wrote to him and told him about my father, and he said he wished he'd met him. My father died quite a while ago.
A writer's notebook is the best way in the world to immortalize bad ideas. My idea about a good idea is one that sticks around and sticks around and sticks around.
In my experience, I think there's must ado about fidelity and infidelity. I think sometimes true emotional relationships can go beyond those.
Immorality, perversion, infidelity, cannibalism, etc., are unassailable by church and civic league if you dress them up in the togas and talliths of the Good Book.
Freud wrote a book on the essence of humor, but he didn't know what he was talking about. Max Eastman wrote a book, The Enjoyment of Laughter, that was a much better book, but nobody bothered to read it.
The cultural expectation should be if there's infidelity, the marriage is more important than fidelity.
Margaret Cavendish was one of the people who came up in the course. That was when I started thinking about her as a character for a book, but my idea was for a totally different book. It had all these characters in it; Samuel Pepys was one of the main characters. He famously wrote these extensive diaries through the period that are really funny and sort of saucy, actually.
I wrote a book. It sucked. I wrote nine more books. They sucked, too. Meanwhile, I read every single thing I could find on publishing and writing, went to conferences, joined professional organizations, hooked up with fellow writers in critique groups, and didn't give up. Then I wrote one more book.
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