A Quote by Pamela Druckerman

When people used to ask me what I missed about America, I would say, 'The optimism.' I grew up in the land of hope, then moved to one whose catchphrases are 'It's not possible' and 'Hell is other people.' I walked around Paris feeling conspicuously chipper.
So many people grew up with challenges, as I did. There weren't always happy things happening to me or around me. But when you look at the core of goodness within yourself - at the optimism and hope - you realize it comes from the environment you grew up in.
What I noticed about living by the sea when I moved to London was that it's really bad when you only have lots of other people to compare yourself to. I grew up relating to the land as well as other people.
Out of profound gratitude for my adopted country, I can only say that I would like in this land to live and die, and while I live to help other people as much as possible, believing that only in service to other people can I possibly express my gratitude for all that America has done for me.
America to me is where I grew up: in Brooklyn, around other black and Latino people who helped and loved each other. I just want to show people that America doesn't have to be this 'I'm in the NRA, blah blah blah' type of place.
If you ask every American out there what kind of a people we are, we would all say, "Oh, we're really good people. We do good things in the world." Then you go around the world and ask what America is like, there's a completely different conceptualization of what we are.
I have to say, I grew up with fashion because my mother was a seamstress, and she had an atelier. She would cut the first pattern, and then she had people working for her. So I grew up in an atelier, watching people all around me sewing. I was fascinated.
I would go with my husband to the tailors where he gets his shirts made, and I would watch the bespoke process. I would ask them, "Would you be able to make that for me?" And they would always say, "Well, yes, but no." They were very French about it. I decided I would just do it for myself. And I started doing that. Then other people would notice, and want it. So I started doing things for friends, little pieces, and my own line grew that way.
I used to go into pubs and people would want to pick a fight with me. I would hear a group of girls say: 'Oh look, there's Pat Cash.' And then one of them would come up to me and say, 'You think you're so good,' and throw a drink in my face. That kind of reaction from people was a bit of a shock initially, and you don't ever really get used to it.
My siblings and I were friends with the boys who would become our stepbrothers - we grew up on the same street. I feel very special to have these amazing people in my life and if we hadn't all moved into this big house together I think I would have missed out on that, because we would have drifted apart.
I've said jokes where I thought people might get up and hit me for this. A couple of people have thought about it. But they didn't. It gives you a lot of power, because if you're on shows where people are worried about getting sacked and you're not, then you're transcendent because you say what other people would like to say.
If I walked into a restaurant, the other diners would look around and say, 'I hope you're not cooking.'
I've seen optimism because I grew up in communities of recovery where people put their lives back together and find tomorrows that they didn't think would be there. That fundamentally changed my life and is so much of where my hope comes from.
My mother is Afro-Caribbean and my father is Caucasian-American, and I was born in Pennsylvania and moved to the Cayman Islands when I was about 2. So I grew up there with my mother, and it's really all I know. I grew up there until it was time to go to college, and that's when I moved back to America.
I feel like I've always been a weirdo. I always grew up with the sense of being a total outsider. I grew up so alienated from other people, and it never went away. When I'm around "normal" people I behave around them as if they are crazy, which makes me seem crazy.
If you ask me, the place that a story happens is as equal character. It's almost like an ecological viewpoint: These people are living in this piece of land, and in this piece of land in this time this is possible. For me, I almost think location first. It's time first - what year is it - then where are we, and then who is in it.
When people say this isn't the America they grew up in, they're right. Nobody gets to grow old in the America they grew up in.
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