A Quote by Pamela Druckerman

A lot of French comedy is satire. — © Pamela Druckerman
A lot of French comedy is satire.
Comedy is very interesting because you can very quickly cross into dangerous territory. I mean look at what happened, unfortunately, (in) Paris a couple of weeks ago. They were making comics - which were really satire - but it offended people. I'm not saying the reaction was justified but there's definitely a line when you're doing comedy or satire and how it might affect somebody. That's the thing you have to watch and I think you have to be respectful of it.
I'm a huge fan of French comedy. The French play comedy in a slightly different way than we do: they play it with a sort of realism that we don't necessarily often do ourselves.
It's very important to say that French doesn't belong to France and to French people. Now you have very wonderful poets and writers in French who are not French or Algerian - who are from Senegal, from Haiti, from Canada, a lot of parts of the world.
I love the satire and skewering of comedy writing.
I'd love to do some comedy. Particularly French comedy, which I know sounds like a contradiction in terms.
Belgium is half French-speaking and half Flemish, and I was born on the French side. So we spoke it a lot - like, in kindergarten, it was almost all French. But then I moved to New Zealand when I was 10, where we obviously spoke English all the time, so I lost the French a little bit.
When you move around a lot, there are little bits of you from everywhere. I mean, my father's French, and I speak French, and there's a kind of struggle in me that says, 'I'd like to be French.' But I've never been fully part of that culture, that role.
But in terms of satire and comedy, our biggest and earliest influence was Mad magazine.
There are thousands of ways to make people laugh - satire, black comedy, slapstick.
When you have satire, it has to be real. No matter how outrageous the comedy becomes, you have to believe in the characters.
Satire is at once the most agreeable and most dangerous of mental qualities. It always pleases when it is refined, but we always fear those who use it too much; yet satire should be allowed when unmixed with spite, and when the person satirized can join in the satire.
I try and write satire that's well-intentioned. But those intentions have to be hidden. It can't be completely clear, and that's what makes it comedy.
Some readers took 'Heaven's My Destination' as a satire on Christianity and the Midwest, but today it reads like a loving comedy.
Even for natives, French satire is rarely laugh-out-loud funny. Its unspoken punch line is typically that things have gone irrevocably wrong, and the government is to blame.
I love comedy and did a lot of comedy in college. I was in an improv comedy group with my friends.
Satire and comedy are really the only film mediums where you can get into ideas and have people leave the theater without being moralized.
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