A Quote by Pamela Yates
Witnessing is the essence of being a documentary filmmaker. Capturing moments in time; never knowing how history will judge them.
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If you're a great documentary filmmaker, it doesn't necessarily mean that you're a great narrative filmmaker. There are fantastic documentary filmmakers that can't direct actors. You don't have to do that in a documentary, if it's a real documentary.
I've never seen myself as a documentary filmmaker. I see myself as a filmmaker, period, and I am interested in drama as well as in documentary.
I never intended to be a documentary filmmaker. I think I became a documentary filmmaker because I had trouble writing, and I had trouble finishing things.
Since I come from documentary background and my father is a documentary filmmaker, for me the core essence of cinema is it's social statement. It is somewhat similar to the work of a journalist, just on a different level. This is the kind of cinema I enjoy.
I'm not somebody who comes in with a whole outline, and says, "Here's the movie we're going to make." That's not what a documentary is for me. I think a documentary is about capturing events as they unfold in real time.
History by apprising them [the people] of the past will enable them to judge of the future. . . . It will qualify them as judges of the actions and designs of men: it will enable them to know ambition under every disguise it may assume; and knowing it, to defeat its views.
To know another human being in their essence, you don’t really need to know anything about them - their past, their history, their story. We confuse knowing about with a deeper knowing that is non-conceptual. Knowing about and knowing are totally different modalities. One is concerned with form, the other with the formless. One operates through thought, the other through stillness.
Whatever storytelling muscles you've developed as a documentary filmmaker will be extremely helpful as a narrative filmmaker.
The pain comes from knowing that we have never been safe, and therefore will never be safe again. It comes from knowing we can never be so ignorant again. It comes from knowing we can never be children again. Losing innocence. Remembering heaven. That was the essence of hell.
Photography is all about capturing a mood, a feeling. I feel a special connection with nature, often very powerful. This late afternoon was phenomenal. Standing on the edge of the ocean, I gasped in awe as the holy light illuminated this cathedral window. Witnessing such a moment and capturing it is what I live for. Mother Nature is so powerful, I never underestimate Her.
It has a lot to do with just sort of trust in the relationship that builds between the filmmaker and the subject. There are some people who will never be relaxed in front of a camera, and in some ways that's my failing as a filmmaker to not put them at ease. It's also a function of time, and if you have that type of time.
The pain comes from more than the facts of circumstance, or the deeds of others. It comes from within. From understanding what we lost. It comes from knowing how foolish we were - vain, arrogant children - when we thought ourselves happy. It comes from knowing how fragile and doomed the old ways were, just when we thought them and ourselves, secure!. The pain comes from knowing we have never been safe, and therefore will never be safe again. It comes from knowing we can never be children again.
I never wanted my kids to have the experience of not knowing me or where they came from. I never want them to wonder, 'Did he love me?' I want to be there at the pivotal moments, for them to know how proud I am of who they are becoming.
In a one-hour documentary, you can tell maybe ten stories. That's how the documentary is structured. I wrote to forty of the greatest historians of both African and African-American history, and hired them as consultants. I had them submit what they thought were the indispensable stories, the ones they felt this series absolutely had to include.
I have major credibility as a hip, out-there documentary filmmaker, and I'm not going to say, 'I'm only a drama filmmaker' anymore.
I feel alive in quiet moments with my son, riding our bikes or watching him line his trains up in a particular order, witnessing how his mind works, hearing him learn a new word. I'm alive in these special moments because I never knew a love like this.
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