A Quote by Pankaj Ghemawat

[It's] useful to ask ourselves, 'Just how global are we?' before we think about where we go from here. — © Pankaj Ghemawat
[It's] useful to ask ourselves, 'Just how global are we?' before we think about where we go from here.
If you think you can just go out and ask all the doctors in the world about what the did to all the patients and you think we can connect that into something useful, go talk to someone who has done that because we can't.
When we find ourselves wondering about the meaning of conditions and events, its always useful to ask, who profits?
It is crazy even to ask what creativity is. It would be just as useful to interview a caraway plant in your garden and ask: "How did you decided to be a spice?"
Here's a question we all ask ourselves at least once when we're young: Where does that starlight come from? It's been there before I was born, and before my grandmother, and her grandmother were born. So just how far is that star from Earth?
When you have a child yourself, you go back and think about how you were parented, how you were mothered and what your parents did for you, and you just want to be able to call and ask them.
I think that's a legitimate thing we're going to have to deal with and ask ourselves, you know, how far Donald Trump can go in enacting certain policies that target specific groups.
I think age is sometimes just a number. But it's a real joy. Young actors don't come with any of the baggage that we load ourselves up with. They're not worried about their profile, they're not worried about how good they look, or all the nonsense. They just tell the story and ask: "What happens in this scene?" Well, I'll do that then. And professionally it's good for you because it means that you're forced to do the same thing, and that's always a good thing.
I suppose it goes without saying that negative speaking so often flows from negative thinking about ourselves. We see our own faults, we speak--or at least think--critically of ourselves, and before long that is how we see everyone and everything. No sunshine, no roses, no promise of hope or happiness. Before long we and everybody around us are miserable.
I've always said, just go ask my teammates if you want to know about me. Go ask the guys that I've played with. Don't ask or get information about me from people who are not in the locker room or not around me all of the time. Then you'll get legit answers.
It's possible to think of photography as an act of editing, a matter of where you put your rectangle pull it out or take it away. Sometimes people ask me about films, cameras and development times in order to find out how to do landscape photography. The first thing I do in landscape photography is go out there and talk to the land - form a relationship, ask permission, it's not about going out there like some paparazzi with a Leica and snapping a few pictures, before running off to print them.
Learning about crime in great detail forces us to ask ourselves how it happened, how the victims and perpetrators got to that point, how the law works, how the police force functions.
If nothing has helped you decide, go ask a child. Children know what they need, and more surprisingly, the know what we need. Adults think. Kids respond with their feelings. They don't think about what you will think of their answer, so they just speak the truth-if you can get to them before junior high school age. At that time, they grow up, stop feeling loved, become depressed and start thinking-and what they are thinking about worries me.
I think it is important to ask ourselves as citizens, not as Democrats attacking the administration, but as citizens, whether a world power can really provide global leadership on the basis of fear and anxiety?
Think about just exceeding expectations of every job you're being asked to do. Continually ask for feedback on how it's going. Ask everybody involved what you can do to do an even better job, and the world will beat down your door trying to ask you to do more and more.
We make a contract within ourselves as actors or directors or writers about how much of ourselves we let into projects. You can actually figure out before you work on something how much blood you will have to let emotionally.
When you set out to do a show about a sponge, you can't anticipate this kind of craze. We just try to make ourselves laugh, then ask ourselves if it's appropriate for children.
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