A Quote by Pankaj Kapur
I don't have any single character that is my favorite because I would like to be known for the sum total of my work and not for an individual character that I might have played.
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Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
Superman has been my favorite character since I was six years old, and I have more comics featuring Superman than any other single character.
Character is distilled out of our daily confrontation with temptation, out of our regular response to the call of duty. It is formed as we learn to cherish principles and to submit to self-discipline. Character is the sum total of all the little decisions, the small deeds, the daily reactions to the choices that confront us. Character is not obtained instantly. We have to mold and hammer and forge ourselves into character. It is a distant goal to which there is no shortcut.
A sum of money is a leading character in this tale about people, just as a sum of honey might properly be a leading character in a tale about bees.
Becoming the character you are playing might work for some, but for me, it doesn't. I always maintain a gap between myself and my character because if I will go so deep into it, it will get difficult for me to come back. You should work towards understanding the psyche of your character and then play it.
I would really like it if someone knows me more for a character that I've played. If they call out the character's name instead of mine by mistake, it would be lovely.
When you work on a pre-existing character, when you end up getting invited to be part of a legacy character like Superman, I don't feel like it would be true to the character if all I did was go in looking to express my own voice.
Any character can find an audience and work if you have passion for that character. You might have to just scrape off the dirt and the barnacles and pull it out and highlight it.
Every movie I work with the costume designer to see what feels like the character, not what Columbus would wear but what is right for the character. Outside of the armored truck standard issue security guard uniform, this guy is trying to make ends meet. He might have one pair of jeans, the same boot, maybe changes his shirt but he doesn't have a walk-in closet full of things, so I wanted something comfortable that felt like the character.
Character is that sum total of moments we can't explain.
I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
Americans have always prized individuality - it is part of our national DNA - but America is a community that draws strength from the sum of our people and has always known that the total of that sum is worth far more than its individual parts.
Within a single scene, it seems to be unwise to have access to the inner reflections of more than one character. The reader generally needs a single character as the means of perception, as the character to whom the events are happening, as the character with whom he is to empathize in order to have the events of the writing happen to him.
My children's favorite, and it's funny because they've seen it but they have a difficult time watching it because it's their dad and they make that connection, but Edward Scissorhands is by far my kids' favorite. They just connect with the character, and they see their dad feeling that isolation, that loneliness. He's a tragic character, so I think it's hard for them. They bawl.
In its pure form, fascism is the sum total of all irrational reactions of the average human character.
I've never played a gay character on screen, so that would be interesting. I've never played a gay character, and that would fascinate me because I'm not gay, so that would interest me.
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